Prompts Vidéo IA Tendance

“A fighter trains alone before dawn in an empty industrial gym. Rain hits the windows, fluorescent lights flicker, and sweat drips onto the concrete floor. Heavy bag, jump rope, shadowboxing, push-ups, breath, repetition. At the 2-second mark, the montage intensifies. The camera moves through rapid cinematic fragments: fists hitting the bag, feet skipping rope, hands wrapping tape, water splashing on the face, muscles trembling during the final rep. The mood becomes emotional and powerful, showing discipline, pain, and focus without dialogue. The fighter stops in front of a mirror, exhausted but ready. Final moment: he turns off the gym lights and walks into the morning rain. Gritty sports cinema, training intensity, sweat, rain, determination, 4K.”

“A strikingly beautiful woman wearing casual black Gothic-inspired clothing, layered silver jewelry, ornate rings, a crescent moon pendant, and polished high heels black boots walks confidently down a bustling modern city street at night. She has long flowing black hair, subtle dark makeup, red lipstick and an air of mystery. Pedestrians glance at her with admiration. A stranger notices her unique appearance and discreetly begins recording her with a smartphone while following at a respectful distance. The camera alternates between cinematic tracking shots behind the woman, over-the-shoulder views from the stranger's phone, and wide shots of the busy street illuminated by storefront lights and traffic. The woman slowly realizes she is being filmed. Her confident expression changes into visible discomfort and unease. She repeatedly glances over her shoulder at the stranger, politely quickens her pace, and weaves naturally through crowds, trying not to draw attention. The stranger continues following, fascinated, believing he has simply found an unusually elegant Gothic woman. The woman turns slowly around a street corner into a semi-dark alley illuminated only by pale moonlight spilling between old brick buildings. The sounds of the busy city fade into silence. The camera follows smoothly into the alley. As she disappears briefly into the shadows, a seamless, magical transformation occurs. Black wisps of smoke and shimmering moonlit particles swirl around her as she transforms into a sleek black cat. The transformation is graceful, elegant, and photorealistic, with a slow motion effect. The stranger rounds the corner seconds later, still recording with the smartphone, confused because the mysterious woman has completely vanished. Instead, only a long haired black cat remains wearing the same pendant that the woman was wearing. The stranger slowly approaches the cat, never realizing it is the woman. The cat turns its head toward the camera with uncanny intelligence. It blinks once before its eyes suddenly glow an intense, supernatural emerald green. The glow softly illuminates the surrounding cobblestones and reflects in the stranger's phone lens. The stranger lowers the phone slightly, bewildered, while the cat calmly watches before silently disappearing deeper into the shadows. Style: Ultra-photorealistic, cinematic dark fantasy, realistic human anatomy, Hollywood-quality visual effects, subtle magical realism, Gothic elegance, dramatic moonlight, volumetric lighting, realistic fabric simulation, smooth natural motion, high character consistency, shallow depth of field, 35mm anamorphic lens, slow tracking shots, handheld smartphone perspective mixed with cinematic camera work, rich atmospheric detail, 8K quality, no text, no logos, no watermarks, no visual glitches.”

“Cinematic action sequence, dynamic tracking shot in a modern glass-and-concrete architectural hall. A stylish anime-inspired girl with vibrant light-blue bob hair and cute blue/white hair clips wields a handgun and a katana, engaging in intense hand-to-hand combat against a nimble blonde rival armed with dual daggers. High-speed bullet-time perspective, dramatic close-ups, flying wood splinters, dynamic smoke effects, volumetric lighting, photorealistic skin texture, dramatic cinematic framing, 8k resolution, highly detailed martial arts choreography.”

“Cinematic action sequence shot under an urban concrete overpass on a rainy overcast day. Low-angle close-up of combat boots splashing into a water puddle, panning up quickly to reveal a fierce East Asian woman with long platinum blonde hair in a black crop top, open black jacket, and cargo pants. She engages in rapid hand-to-hand combat against a masked guard in black tactical gear, executing swift punches and kicks Concrete pillars and dust smoke surround the area. Wide shot reveals her standing triumphantly over fallen guards, with flashing red and blue police car lights reflecting off the wet ground in the background, high contrast, dynamic camera movement, photorealistic 8k film look.”

“30-Second Cinematic Ultra-photorealistic Korean summer lifestyle video following a young woman as she unlocks her city bicycle, places her crossbody bag in the front basket, and naturally rides through a peaceful residential neighborhood. She slows down, turns realistically, parks beside the grocery store, locks her bicycle, and enters the supermarket. She casually selects a few groceries—apples, milk, and a snack—then pays at the checkout. After placing the groceries securely in the bicycle basket, she unlocks the bike, mounts naturally, and cycles home along the same street. Focus on realistic human movement, bicycle balance, pedal motion, braking, tire contact, momentum, wind, clothing and hair movement, grocery-bag weight, and authentic everyday sounds. Smooth cinematic camera movement, natural lighting, realistic depth of field, and continuous cause-and-effect action. No teleportation, instant acceleration, floating objects, distorted anatomy, changing clothes or bicycle, exaggerated wind, CGI appearance, or action-movie movement.”

“A dynamic, cinematic action scene set inside a underground subway station. A young East Asian woman with long black hair, wearing a white tank top and blue jeans, is launched back-first into a large tiled column, causing the pillar to crack violently, sending concrete debris, dust, and rubble flying across the floor She recovers, crouching low into a combat stance with an intense look, then charges forward Fast-paced tracking camera follows her as she fights hand-to-hand against a man in a dark business suit, exchanging rapid punches and dodges. Cinematic camera motion, martial arts action, gritty lighting, photorealistic, 8k resolution, filmic quality.”

“45 meters ancient mythical ONI”

“Create a horizontal 16:9 high-energy anime action sequence featuring the two referenced characters. The reference video controls the overall shot order, camera energy and editing rhythm, but adapt the choreography for clean readable poses and strong character consistency. The character sheets strictly control each character’s face, hairstyle, outfit, colors, accessories and proportions. Ignore all printed text, borders and character-sheet layouts. CHARACTER A — NEONSTAR: the cyan-magenta fighter from reference A. Preserve her exact facial identity, high twin ponytails, cyan-and-hot-pink hair, cropped black top, oversized cyan-magenta jacket, black shorts, asymmetric legwear, straps, star accessories and chunky cyan-magenta sneakers. CHARACTER B — NEO SPARK: the neon green-pink fighter from reference B. Preserve her exact facial identity, vivid pink hair with neon green accents, black crop top, translucent oversized lime-green patterned jacket, black shorts, neon thigh-high legwear, belts, straps and chunky lime-pink boots. Never exchange, simplify or redesign their hairstyles, colors, clothing, footwear or accessories. Keep both characters immediately recognizable in every shot. SETTING: A bright open-air futuristic rooftop training arena high above a colorful coastal megacity. Broad pale concrete flooring, dark navy structural panels, transparent safety barriers and simple geometric platforms create a spacious fighting area. Small cyan, magenta and acid-lime architectural accents subtly echo the characters without competing with them. Beyond the rooftop are layered futuristic buildings, elevated transit structures and a brilliant blue summer sky with soft white clouds. Strong clean daylight creates crisp natural shadows and keeps both fighters clearly visible. The atmosphere is youthful, sporty and slightly Y2K-futuristic, matching their neon streetwear without becoming a dark cyberpunk environment. Keep the arena open and uncluttered so every body silhouette remains easy to read. Small dust, loose paper scraps, hair and clothing may react naturally to footsteps and landings. CHOREOGRAPHY RULE: Fast but readable anime martial arts. During each major exchange, only one fighter performs the complex attack while the other responds with one simple dodge, block or step. Keep clear physical space between their bodies. Avoid tangled contact, intertwined limbs, simultaneous crossing kicks, grappling, wrist locks, shoulder throws, body collisions or prolonged physical contact. 0–3.5s — NEONSTAR bursts forward while NEO SPARK waits several meters ahead. A fast side-tracking camera follows NEONSTAR alone, briefly cutting to her focused face and chunky sneakers striking the rooftop. She launches one clean sweeping roundhouse kick. NEO SPARK leans backward and sidesteps just before contact. Her dodge is simple and controlled, leaving obvious empty space between the kick and her body. NEONSTAR completes the kick naturally and regains”

“A cinematic wuxia sword fight between a man in black and a woman in red in a golden autumn forest”

“A low-angle dynamic action tracking shot in a apocalyptic, ruined city modern urban setting at night with smoke, fire, and glowing searchlights. A massive dark dragon with glowing neon blue dorsal spines flies low over city streets. A giant armor-clad giant warrior stands amidst burning skyscrapers. A young man dressed in black leaps along the spine of the flying dragon, wielding a glowing red energy blade and a giant curved glowing blue magic scythe. The man leaps high off the dragon's back into mid-air, spinning dramatically and striking down onto the giant enemy with a massive glowing electric slash, resulting in an explosive fiery blast over the burning city skyline filled with military helicopters. Cinematic 3D animation, hyper-realistic lighting, intense VFX, dark fantasy anime style, fast-paced cinematic camera motion, 8K resolution.”

“One continuous shot. The young Korean man, same matte-black combat suit, same blue-glowing gravity blade, same three black armored robots, and the same rain-soaked neon alley remain unchanged throughout. No teleporting, no position resets, no sudden costume/weapon changes, no jump cuts. 0–3 sec: The man walks slowly forward through the neon alley while the three robots approach him from ahead. Camera: smooth backward tracking at chest height, keeping him centered. Rain falls naturally and blue blade light reflects on the wet ground. 3–6 sec: Without cutting, the robots charge. He stops, plants his left foot, and swings the blade horizontally. A blue gravity wave expands directly from the blade toward the closest robot. Camera: smoothly circles from his front-left to his side, following the same movement. 6–9 sec: The gravity wave hits the first robot and throws it sideways into the wall; the other two lose balance and become partially weightless. The man remains exactly where he finished the swing. Camera: continues the same orbit and reveals the robots floating around him. 9–12 sec: One robot recovers and jumps toward him. He raises the same blade upward and reverses its gravity, pulling the attacker sharply toward the ceiling while the other robot remains suspended behind him. Camera: smoothly tilts upward with the robot, then follows the blade back down to the hero. 12–15 sec: The man lowers the blade and releases the gravity field. The floating robots and loose debris fall naturally to the ground around him. He remains standing in the same position as rain continues falling. Camera: slowly pushes toward his face as the blue glow of the blade fades slightly. Visual style: continuous cinematic sci-fi action, anime-inspired but original, realistic physics, detailed mechanical robots, rain, neon reflections, volumetric fog, natural motion blur and smooth camera choreography. No cuts, no scene changes, no teleportation, no sudden jumps in character position.”

“A cinematic 3D anime action sequence featuring a blindfolded woman with long pastel pink hair in a high ponytail, wearing an elegant black gothic dress with cutout details and thigh-high boots She stands atop a wet rooftop looking over a futuristic neon-lit cyberpunk city at night with massive holographic billboards The camera dynamically shifts as she leaps off the skyscraper edge, falling head-first in slow motion through glowing skyscrapers, before landing gracefully in a superhero pose on a wet asphalt street, causing cracks and ground sparks upon impact. Cinematic volumetric lighting motion blur, hyper-detailed, 8k resolution.”

“Create a 15-second cinematic luxury skincare advertisement featuring a young woman sitting elegantly beside a beautiful modern dressing table and vanity mirror. Character & Outfit: A beautiful young woman with natural glowing skin, soft makeup, neat hair, wearing a clean white shirt and white trousers. She looks fresh, confident, and elegant. Setting: A luxurious feminine dressing room with a large vanity mirror, warm soft lighting, elegant perfume bottles, flowers, skincare products, and subtle golden reflections. The serum bottle is clearly visible on the dressing table throughout the video. Premium beauty-commercial aesthetic, realistic skin texture, cinematic depth of field. 0–4 seconds: Medium shot of the girl sitting beside the dressing table. She picks up the LUXÉCLAT PARIS Radiance Glow Serum and smiles naturally toward the camera. Dialogue: “Today, I chose this serum for my daily skincare routine.” 4–9 seconds: Close-up of her holding the serum bottle, then applying a few drops gently to her face. Show the serum texture and elegant packaging in detail. Dialogue: “I use it every day to keep my skin feeling fresh, smooth, and hydrated.” 9–13 seconds: She looks into the vanity mirror and gently touches her glowing skin. Show a beautiful close-up of her face with natural, healthy-looking skin. Dialogue: “It helps improve the appearance of acne, blackheads, and uneven-looking skin.” 13–15 seconds: Hero product shot: the serum bottle placed beautifully on the dressing table with the vanity mirror glowing softly in the background. The girl smiles in the background. Dialogue: “Make it part of your daily skincare routine. Give it a try!” Visual Style: Ultra-realistic luxury beauty commercial, cinematic camera movement, soft warm lighting, premium product photography, realistic skin texture, shallow depth of field, elegant reflections, smooth transitions, sophisticated feminine atmosphere, high-end skincare brand advertisement, 4K, vertical 9:16, natural expressions, accurate product packaging, no distorted hands, no extra fingers, no warped text.”

“Create a 30-second 16:9 ultra-photorealistic Korean summer camping video. A young Korean woman arrives at a peaceful mountain campsite in a compact SUV, parks on a gravel path, unloads her camping gear, and physically sets up a tent on the grass. Show realistic tent fabric, flexible poles, stakes, natural wind, and believable body movement. She then prepares a simple outdoor meal on a portable stove, stirring vegetables in a pan as gentle steam rises naturally. As afternoon transitions into a soft evening, she turns off the stove, sits in a folding camping chair, takes a sip of her drink, and peacefully admires the surrounding Korean mountains and forest. Use smooth documentary-style camera movement, natural lighting, realistic human physics, authentic campsite ambience, cooking sounds, birds, insects, wind, and gravel footsteps. Maintain the same woman, outfit, SUV, tent, campsite, and equipment throughout. Negative Prompt: No CGI look, teleportation, floating objects, weightless equipment, distorted hands, extra fingers, robotic movement, instant tent setup, unrealistic fire or food physics, excessive wind, artificial lighting, changing characters, text, logos, or watermark.”

“Cinematic 3D render, post-apocalyptic action sequence. A heavily modified dune buggy with flaming rocket boosters speeds along a metallic futuristic pipeline track through a desert canyon during golden hour. A leather-clad warrior swings a spiked flail attached to a heavy chain, smashing an enemy combat helicopter mid-air into fiery explosions. A gunner on the buggy fires a massive rotary flamethrower minigun, turning another enemy drone aircraft into a massive fireball. The buggy leaps off a ramp over huge fiery explosions and dynamic missile strikes, landing smoothly on the reflective glass pipeline track and racing toward a giant ruined cooling tower in the distant wasteland. Cinematic lighting, photorealistic physics, slow-motion action shots, sparks, dynamic camera pans, hyper-detailed textures, volumetric smoke, cinematic color grading, 8k resolution, photorealistic CGI action film style.”

“What if the daily commute passed through another universe?”

“Elon plots a route around Earth from a spacecraft bridge using a holographic interface, reflections, and controlled hand interaction.”

“Jensen sneaks chips out of a robot lab while Elon catches him in the act, relying on consistent faces, props, and eyelines to land the joke.”

“Ultra-photorealistic 30-second 16:9 mountain-bike action video. Same female rider, bike, clothing, trail, and daylight throughout. Show her starting on a mountain ridge, accelerating naturally downhill, navigating roots, rocks, gravel, and tight corners with realistic braking, balance, tire traction, and suspension movement. Finish as she exits the forest and stops at a scenic valley viewpoint. Cinematic tracking shots, realistic outdoor physics, natural forest ambience, bike sounds, wind, and breathing. No dialogue, CGI look, impossible jumps, teleportation, distorted anatomy, text, logos, or watermark.”

“interview scene with takeout boxes, noodles, and a final neuralyzer gag”

“A full rooftop parkour run follows Elon through a sprint, wall climb, jumps, and landing without breaking the chase.”

“interview scene with takeout boxes, noodles, and a final neuralyzer gag”

“Overlay every visible face with a flat dark-navy mask of crisp diagonal lines forming a uniform diamond grid, following the face’s angle and contour from hairline to jaw. Keep everything else unchanged.”

“Continuous smooth push-in camera movement A stylish glamorous woman floating gracefully above a dense sea of fluffy cloud tops during a vibrant pastel sunset She is wearing a sleek black futuristic bodysuit, sunglasses, and high heels holding a martini glass with liquid splashing slightly and a black quilted luxury handbag The golden hour sky glows with pink, orange and purple hues Ultra-realistic, cinematic lighting, 8k resolution, slow motion.”

“Create a beautiful 15-second Korean coastal travel vlog. A young woman films herself on a train as the ocean appears outside the window. She arrives at a quiet beach, removes her shoes, runs toward the water, and turns back toward the camera with a huge smile. Blue ocean, Korean coastal scenery, realistic waves and wind, cinematic travel vlog, natural handheld movement, no text.”

“Create a 14-second cinematic, ultra-realistic commercial video using the provided air-fryer reference image and storyboard as visual reference. Keep the same modern black air fryer, same girl, same modern kitchen, same lighting, same overall visual style and composition throughout the entire video. The girl should look consistent in every shot, with the same face, hairstyle, outfit, and appearance. 0–2 seconds: The girl opens the air fryer drawer and places a generous portion of frozen potato French fries inside. Show a clear close-up of the fries going into the basket. 2–4 seconds: She places several seasoned chicken leg pieces/drumsticks beside the fries in the same air-fryer basket, keeping both foods separated and clearly visible. Show a detailed top-down/close-up shot of the fries and chicken together. 4–5 seconds: She closes the air fryer and sets the digital temperature and cooking time on the front touchscreen. Show her finger pressing the controls. 5–8 seconds: Show the air fryer actively cooking. Use a cinematic close-up through the cooking window/interior: the French fries and chicken legs are cooking simultaneously, gradually becoming golden and crispy. Show realistic heat, gentle steam, and natural cooking movement. The fries become golden and crisp while the chicken develops a delicious roasted surface. 8–10 seconds: The girl opens the air fryer and checks the perfectly cooked food. Capture the golden fries and juicy, crispy chicken legs in a beautiful close-up. 10–12 seconds: She uses tongs to transfer the crispy fries and chicken leg pieces onto a clean serving plate. Arrange the fries on one side and the chicken pieces on the other. Make the food look fresh, hot, golden, crispy, and appetizing. 12–14 seconds: Show a hero close-up of the finished plate beside the air fryer. The camera slowly moves closer to highlight the crispy fries and beautifully cooked chicken. 14–15 seconds: The girl smiles happily while holding/looking at the finished meal. End with a premium product shot of the air fryer and plated food, with a clean commercial feeling. Visual style: Ultra-realistic food commercial, cinematic product advertising, warm modern kitchen lighting, realistic food textures, natural hand movements, realistic steam and heat, shallow depth of field, smooth camera movements, crisp details, premium commercial photography, 4K quality. Important: Keep the air fryer design consistent with the reference. Do not change the girl’s identity or appearance. Do not add extra people. Keep the fries and chicken cooking together in the same cooking session, and clearly show the complete process from loading → cooking → opening → plating → final delicious result. Avoid distorted hands, extra fingers, warped food, changing kitchen layout, or inconsistent product design.”

“3D Pixar-style animated young East Asian woman with dark hair styled in a neat top bun, large expressive brown eyes, smooth skin, wearing an oversized light grey hoodie. A complete morning routine video sequence featuring her waking up in bed under soft blankets, stretching, brushing teeth and washing face in a bathroom mirror, dressing up in a grey hoodie and black leggings, slicing bread, frying an egg, pouring hot tea from a kettle into a mug, sitting at a wooden kitchen table checking her smartphone, and putting on silver over-ear headphones to work on a laptop while sipping tea in a bright cozy apartment. Warm morning sunlight streaming through the windows, photorealistic textures, soft cinematic lighting, Octane Render, 8K resolution, highly detailed.”

“Create a vibrant 3D motion graphics animation where colorful spheres, bars, and cylinders rain onto a neutral background and assemble into a stylized Tokyo skyline with Tokyo Tower, pagodas, and floating orbs. The cityscape scatters into geometric confetti, then rapidly reforms around Tokyo Skytree before dissolving again into five color groups red, dark blue, pink, teal, and yellow that settle into a clean row of flat circles. Smooth transitions, dynamic motion, polished 3D lighting, and a modern minimalist aesthetic.”

“Create a 15-second ultra-realistic cinematic action sequence featuring a female fighter in her mid-20s battling a much larger armored opponent in an abandoned industrial warehouse. Character: A confident athletic woman around 25 years old, realistic proportions, strong but natural physique, sharp expressive eyes, dark shoulder-length hair tied into a practical high ponytail. She wears a fitted black tactical combat outfit with subtle fabric texture, lightweight protective gloves, dark cargo pants and rugged boots. Keep her face, hairstyle, body proportions and outfit perfectly consistent throughout the entire video. Opponent: A huge muscular male warrior wearing heavy, weathered dark metal armor. He is approximately twice her size, intimidating and physically powerful, but completely realistic in anatomy and movement. His armor has scratches, dents and realistic metallic textures. Environment: A massive abandoned industrial warehouse at night. Concrete floor, steel beams, broken windows, scattered crates, dust floating through shafts of cold moonlight, subtle atmospheric haze. No cyberpunk, no neon lights, no futuristic glowing elements. Photorealistic cinematic environment. 0–3 seconds Start with a low-angle wide shot. The female fighter stands alone in the center of the warehouse while the giant armored opponent slowly approaches from the background. Heavy footsteps echo through the building. She raises her fists and takes a defensive fighting stance. The camera slowly pushes toward her, emphasizing the huge size difference. 3–6 seconds The giant suddenly charges at extreme speed and throws a powerful punch toward her. She narrowly dodges sideways at the last second. His fist crashes into a thick concrete pillar, sending small fragments and dust into the air. Use a brief slow-motion moment during the dodge, with realistic cloth and hair movement. 6–10 seconds She immediately counterattacks. She runs toward him, jumps onto a nearby steel structure, uses it as leverage, and launches herself toward his upper body. She lands on his armored shoulder, grabs onto the armor, swings around his back and kicks him hard in the side. The giant loses balance and crashes into several wooden crates. Show dynamic but believable physics, realistic weight and momentum. 10–13 seconds The giant quickly gets back up and swings both arms toward her. She slides underneath the attack, rolls across the concrete floor, grabs a metal chain lying nearby and uses it to pull herself forward. She jumps onto the giant's chest and delivers one powerful final kick that sends him crashing backward through a large wooden wall. 13–15 seconds The camera follows the giant as he crashes through the wall, then rapidly swings back to the female fighter. She lands firmly on the ground, slowly stands straight, breathing heavily, and looks directly toward the camera with a calm, confident expression. Dust and tiny debris fall around her in the background. Visual style: photorealistic Hollywood action cinematography, realistic human anatomy, physically accurate movement, detailed facial features, natural skin texture, realistic fabric and metal textures, dramatic practical lighting, volumetric dust, cinematic depth of field, subtle handheld camera movement, dynamic tracking shots, realistic motion blur, high-detail environment, natural color grading, high contrast, 4K cinematic quality. Action direction: Fast, fluid and believable martial-arts choreography. Every movement must have clear weight and momentum. Avoid exaggerated superhero physics, cartoon movement, floating characters, unnatural body deformation or excessive slow motion.”

“Hyper-kinetic post-apocalyptic combat spectacle, extreme high-intensity CGI action, thick volumetric cinematic haze and golden-hour dust storms rolling through a massive sprawling junkyard settlement filled with denser crowds of background survivors, aggressive anamorphic 35mm lens with heavy motion blur, relentless handheld tracking and whip pans, deep shadows, heat distortion, ultra-realistic particle systems. Use the provided character images as exact appearance locks: bald protagonist (exact face, blood streaks, silver puffer jacket, white hoodie, jeans), horned shaman chief (exact long horns, painted skull mask, bare torso, loincloth), yellow long-coat warrior (exact yellow skull mask, long black coat with red accents), yellow-hood warrior (exact yellow hood, white skull mask, spike backpack, bare chest), white X-mask warrior (exact white mask with red X, dreadlocks, brown rags). Lock all proportions, clothing and details. Larger crowded scrapyard settlement with more people fleeing and reacting in the background. 0-4s: [Extreme Wide Crash-In] Instant violent collision. Bald protagonist explodes forward through dense dust cloud and scattering crowds. Shaman chief swings a heavy bone club in wide horizontal arc. Impact detonates shockwave of scrap metal, dust and embers. No pause. 4-8s: [Dynamic Low Tracking] Rapid exchange. Bald protagonist ducks under the club, delivers spinning elbow to shaman’s ribs, then upward knee. Yellow long-coat warrior phases in from the side swinging a rusted metal pipe. Protagonist counters with a spectral energy pulse that rakes across the warrior’s chest. Fabric, ash and metal particles explode outward. 8-13s: [Orbiting Medium + Dutch Angle] Acrobatic mid-air clash. Bald protagonist vaults off the pipe, silver puffer fully whipping, lands dual-fist hammer blow to the yellow-hood warrior’s mask. White X-mask warrior retaliates with vertical spear slam that cracks the ground; protagonist rolls, rises into spinning back-kick that shreds more of the warrior’s rags into flying ribbons. 13-18s: [Handheld Close Combat Frenzy] Brutal ground scramble. Bald protagonist grapples the spear pole, headbutts the X-mask, then rips free and unleashes three distinct strikes: upward palm, horizontal elbow, downward axe-kick. Shaman absorbs then unleashes a tendril-whip of kinetic force that lashes the protagonist’s back, drawing blood and dust while background crowds scatter in panic. 18-23s: [Slow-Motion Impact Montage] Escalating power. Bald protagonist catches the bone club mid-swing, twists, drives knee into shaman’s mi”

“first-person POV from the driver’s seat, hands on the steering wheel, driving through a futuristic city at night, extreme fisheye lens distortion, ultra-wide curved perspective, dashboard and windshield wrapping around the frame, exaggerated sense of speed and depth, stylized 3D animation, clean geometric forms, slightly toy-like proportions, glossy materials, cinematic lighting, neon reflections on the windshield, dynamic motion blur outside the car, immersive cockpit view, polished animated-film aesthetic, dramatic composition --ar 16:9”

“Create one continuous 30-second chaotic amateur first-person smartphone video filmed by a standing passenger inside a packed maglev commuter train. Single unbroken take, no cuts or artificial transitions. An ordinary Earth commute escalates into space, past aircraft, satellites, the Moon, planets, an asteroid field, the heliosphere, dense Milky Way star fields, a giant nebula, and the galactic core, all one physically connected journey. Interior: packed standing-room maglev car, passengers shoulder-to-shoulder gripping straps and poles, coats shifting with acceleration, carriage vibrating and rattling. Camera is a smartphone held by one standing passenger, never visible, it is the camera. Same carriage and passengers stay consistent throughout, the interior the anchor while outside grows impossible. Camera stays on the LEFT-SIDE windows, ~90 degrees to travel direction, world streaming front-to-back. 0-3s: bright Earth commute, countryside and roads streaking past, distant planes, a helicopter, birds, real parallax. Passengers tired and normal, some on phones, some staring out. A calm PA chime: "Next stop: the Milky Way." Nobody screams. Train suddenly accelerates, everyone grips tight on a hard jolt. 3-9s: train climbs through mountains and clouds, sunlight flashing through, rain streaking the glass, passengers swaying, camera shaking harder. Clouds fall away, Earth's curve appears as a thin blue arc, sky shifting bright blue to deep blue to black, a real gradual change. Aircraft vanish below, passengers watch with curiosity. 9-14s: train leaves the atmosphere into space, Earth shrinking behind. The Moon small and pale, satellites at varied distances, one passing close with strong parallax. Passengers go quiet, one softly says "Ohh." Train races through the Solar System, the Sun distant and brilliant, Mars, Venus, Jupiter appearing briefly, a faint comet's tail pointing away from it, sparse asteroids appearing. 14-18s: train enters an asteroid field, rocks varying wildly in size, tiny fragments fast, huge ones drifting slow, one irregular asteroid triggers a violent shake, a fragment strikes the hull. The field thins, planets shrink behind, the Sun a tiny point. A faint blue-white heliosphere boundary appears, diffuse charged particles, never a portal, crossed physically. Then the outer Milky Way opens up, thousands of stars, dark clouds as faint silhouettes, a vast luminous band the train travels inside. 18-25s: train enters a giant stellar nursery, a colorful nebula wrapping around it with genuine depth, never flat. Deep blue, violet, magenta, crimson gas fills every direction, dark dust lanes cutting through, bright young stars at different depths, light entering the left windows and lighting the passengers naturally. Emerging from it, giant blue-white stars, orange supergiants and red stars surround the train, a distant supernova remnant appears as a translucent shell the tr”

“A troll steals a princess’s crown. She takes it personally. A retro-fantasy short.”

“CAMERA: Single continuous cinematic shot. Begin with a slow low-angle push toward a massive modern skyscraper at night. Camera gradually moves upward while maintaining the building centered in frame. Smooth controlled movement with subtle handheld realism. No cuts. End with a dramatic pullback revealing the full scale of the phenomenon. SCENE: A realistic modern city at night after light rain. Wet streets reflect thousands of city lights. One enormous glass skyscraper dominates the frame. Everything appears completely normal and photorealistic. 0–3 SECONDS: Camera slowly approaches the skyscraper. Nothing unusual happens. Then every illuminated window simultaneously becomes covered in soft condensation, as if something inside the building is breathing. 3–7 SECONDS: The entire skyscraper slowly INHALES. Curtains behind the windows pull inward. Loose papers, mist, rain droplets and tiny particles from the street begin moving toward the building. The movement must feel like an enormous invisible vacuum, but organic—like the building itself is breathing. 7–10 SECONDS: The skyscraper reaches maximum compression. For one brief moment, the entire city becomes completely silent and still. 10–13 SECONDS: The building suddenly EXHALES. A massive wave of glowing dust-like particles bursts outward from thousands of windows and rises into the night sky. 13–15 SECONDS: Camera rapidly pulls backward and upward. The particles arrange themselves above the city into the enormous silhouette of a HUMAN FIGURE floating in the clouds. The silhouette exists for only a moment. FINAL FRAME: The giant human-shaped formation looks down silently over the city. STYLE: Photorealistic cinematic surrealism, massive architectural scale, realistic atmospheric physics, volumetric light, wet reflective streets, subtle film grain, high-end science-fiction cinema, dramatic but believable lighting.”

“A macro cinematic scene of a damaged USB flash drive lying on a dark wooden desk. At the beginning, the USB drive is visibly cracked, dirty, and covered with small broken fragments. Dozens of tiny construction workers in colorful safety helmets and work uniforms gather around it, inspecting the damage and carrying miniature tools and equipment. They actively repair and rebuild the USB drive: some workers remove debris, others weld and assemble tiny components, while others carry pieces across the surface. As the repair progresses, the damaged brown exterior gradually transforms into a clean, sleek metallic silver USB drive. The workers continue polishing and inspecting the finished device. Maintain realistic miniature scale, detailed textures, believable shadows, cinematic depth of field, subtle camera movement, warm desk lighting, and highly detailed macro photography.”

“Dragon POV: Ancient Paris to Modern Paris.”

“Create a 15-second ultra-luxury cinematic YSL Eau de Parfum advertisement featuring the same elegant adult Korean woman with long glossy black hair, sophisticated makeup, refined jewelry, a champagne-gold couture gown, and elegant heels. Set the entire commercial inside a grand royal mansion with marble floors, sweeping staircases, golden details, crystal chandeliers, warm candlelight, and cinematic shadows. Show her gracefully descending the staircase, confidently approaching a marble table, picking up the YSL perfume bottle, and holding it beside her face before gently spraying it on her neck. Capture premium close-ups of her expression, the perfume mist, and the bottle with beautiful golden reflections and shallow depth of field. She then walks confidently through the mansion as the final shot reveals the YSL Eau de Parfum bottle centered on the marble table with warm lighting, flowers, candles, and a subtle lens flare. Add elegant orchestral music, soft piano, strings, realistic footsteps, fabric movement, perfume spray, and subtle ambience. Maintain perfect consistency in the woman, outfit, jewelry, perfume bottle, environment, and lighting throughout. Ultra-realistic, photorealistic, cinematic, high-fashion luxury advertising style, smooth camera movement, realistic reflections, natural expressions, premium international perfume campaign aesthetic. Add elegant voice-over: “YSL Eau de Parfum… the essence of elegance. Confidence in every spray. Beautifully refined. Long-lasting. Made to stay with you.” End with a clean luxury fade to black.”

“Create a cinematic, photorealistic 16:9 landscape widescreen video filmed entirely from INSIDE a modern high-speed passenger train. CORE CONCEPT The train is traveling around the modern world at an impossible speed. The passengers remain inside the same train throughout the entire video, watching through the large panoramic window as the scenery outside continuously transforms from one country to another. The journey should feel like the train is traveling at approximately 1,500 kilometers per second, crossing entire countries in moments. The passengers and train interior remain stable and consistent. The WORLD outside the window is what changes. The entire video must feel like ONE continuous shot, not a compilation of separate clips. CAMERA & COMPOSITION 16:9 landscape / widescreen. Camera positioned inside the passenger carriage at natural eye level, approximately where a passenger would realistically be sitting. The camera faces diagonally toward a large panoramic side window. The window occupies most of the frame. Several passengers are naturally visible in the foreground and along the right side of the frame, similar to passengers watching scenery from a real train. Keep the same passengers throughout the entire video. Keep their: faces clothing age body proportions positions hairstyles consistent throughout the entire journey. The camera remains INSIDE the train at all times. Never show the exterior of the train. Never show a drone shot. Never show the train from the outside. Never leave the carriage. The viewer should constantly feel like they are personally sitting inside this train. OPENING Begin with a completely realistic modern European landscape. The train is already traveling extremely fast. Green countryside, fields, roads, trees, villages and distant mountains rush past the window. Strong realistic motion blur outside. The passengers casually watch the scenery. At first everything feels completely normal. Then the train begins accelerating. The outside landscape starts moving faster and faster. The passengers notice that something unusual is happening. The world outside begins transforming. THE WORLD JOURNEY The train travels continuously through different modern countries. FRANCE Start in the French countryside. Green agricultural fields. Small French villages. Modern roads. French architecture. Rolling hills. Distant Alps. Everything should feel unmistakably modern-day France. The scenery races past the window. Then the landscape begins transforming while the train continues moving. SWITZERLAND French countryside seamlessly transforms into the Swiss Alps. Huge snow-covered mountains suddenly rise in the distance. Green alpine valleys. Swiss villages. Mountain railways. Lakes. Modern Swiss infrastructure. The train races through the landscape at impossible speed. Mountains move rapidly past the”

“Whimsical hand-painted storybook illustration, stylized animation concept art, exaggerated caricature proportions, angular imperfect shapes, loose expressive brushwork, gouache texture, vibrant Mediterranean colors, quirky handcrafted aesthetic”

“16:9 horizontal, 30-second realistic late-night gym vlog. A glamorous European brunette fitness influencer in her mid-20s films herself in a quiet modern gym late at night. She has long dark-brown hair in a high ponytail, lightly tanned glowing skin, large brown eyes, full glossy lips, and a slim athletic hourglass figure. She wears a fitted long-sleeve athletic crop top, high-waisted leggings, white sneakers, and a towel around her neck or over one shoulder. No jewelry. Style: realistic self-recorded gym vlog, sexy Instagram-model vibe, playful, confident, slightly flirty, slightly breathless, natural. Not a commercial. Camera: DV camcorder / digital tape aesthetic, handheld selfie-cam mixed with a few fixed external shots. Realistic hand shake, slightly crooked framing, autofocus delay, minor zoom mistakes, motion blur, faint tape noise, slight blur, soft highlight bloom, subtle exposure flicker, muted contrast. Never show the camera. Never show her setting up the camera. Fixed shots should begin with clean jump cuts. Setting: quiet modern gym at night, mirror wall, dumbbell rack, flat bench, stretching mat, water bottle on bench, soft warm overhead lights, no extra people. Continuity: same woman in every shot, same face, same hair, same outfit, same body. No extra people, no broken hands, no duplicated limbs, no disappearing objects. Sequence Selfie shot, walking into the gym, smiling and slightly out of breath. Dialogue: “Okay… late-night gym vlog.” Handheld pan across empty gym, dumbbell rack, mirror wall, then back to her. Dialogue: “It’s basically empty in here.” Mirror selfie angle, she adjusts her ponytail, glances at herself, smirks. Dialogue: “I look tired, but we’re still doing this.” Jump cut to fixed medium shot near bench, she picks up dumbbells and gets ready. Same fixed shot, she does a short set of shoulder presses, lowers the weights, exhales and smiles. Dialogue: “That woke me up fast.” Back to handheld selfie, walking a few steps with towel over shoulder, breathing harder. Dialogue: “Upper body done… and I’m already dying.” Tight handheld close-up, she grabs the water bottle, drinks, lowers it, exhales. Dialogue: “Best part of the workout.” Jump cut to fixed wider shot, quick playful stretch, small mirror pose, soft laugh. Dialogue: “A little stretch so I can pretend I’m disciplined.” Handheld close selfie, cheeks slightly flushed, she brushes back loose hair and smiles. Dialogue: “I always say quick workout… and then stay forever.” Final selfie shot, walking toward the exit, giving a tired little wave. Dialogue: “Okay, I’m done. Good night.” Final feel: authentic self-shot late-night gym vlog, attractive and polished but realistic, natural pacing, subtle imperfections, strong continuity.”

“7-shot handheld phone vlog montage, photorealistic snapshot realism, varied angles/cuts, slight tilt/shake, harsh fluorescent gym light mixed with warm high-window afternoon sun, fine film grain. Woman Image1: use reference only for face/hairstyle; fitted heather-grey short-sleeve athletic top, black leggings, tied-back hair with loose strands. Alone in a quiet scuffed gym corner with folded mats, spotted mirror, bench with rolled yoga mat/water bottle. Natural Korean dialogue/reactions, live ambient SFX only, no music/text/logos/watermarks. 1 (0-2s): Rope catches her foot; she stumbles and laughs. Close, low, drifting camera. “아 뭐야 벌써”. 2 (2-4s): Side close-up of hands/rope resetting; wrist flicks, rope slaps floor twice, then finds rhythm. Shaky follow. 3 (4-6s): Straight-on steady jump-rope rhythm, focused half-smile, quicker breathing, rope blur. “하나, 둘, 셋…” 4 (6-8s): Rope hits shin; she winces/laughs, hops once, restarts. Slight upward angle, slow push-in. “Okay, still counts.” 5 (8-10s): Faster set, sweat at hairline, heavy breathing, rapid rope beats. Straight-on, gentle sway, motion blur. 6 (10-13s): Rope tangles; she stops, doubles over laughing, hands on knees, shoulders shaking. Camera tilts down. “아 못하겠다 진짜”. 7 (13-15s): Still laughing/breathless, slowly straightens, wipes eyes, drops rope, grinning. Camera drifts back/up and lingers. Only her throughout; authentic fumbling, laughter, breathing, footsteps, rope impacts/drop, faint distant gym ambience. Do not depict/copy the reference image itself.”

“Main Subject: Young Korean woman, 24, naturally attractive, realistic skin, minimal makeup, long dark hair loosely down. Wearing a simple casual outfit. Preserve her exact identity, facial features, hairstyle, and appearance throughout. Location: Quiet Seoul apartment or residential rooftop during a warm late afternoon. Soft natural sunlight, gentle breeze, everyday surroundings. Style: Ultra-realistic early-2000s Sony MiniDV home video. Completely candid and unstaged, handheld shake, imperfect framing, autofocus hunting, exposure shifts, faded colors, soft contrast, DV compression, slight motion blur and microphone noise. No stabilization or modern cinematic movement. 00:00–00:04: She stands casually in front of the camera, trying to tie her long hair into a ponytail. A few strands keep slipping out. 00:04–00:08: She tries again, struggling with the hair tie. Her expression gradually becomes adorably irritated as the ponytail falls apart once more. 00:08–00:11: She sighs, slightly scrunches her face in frustration, then suddenly notices the camera watching her. 00:11–00:15: She looks directly into the lens, breaks into a genuine laugh at herself, and shakes her head. A few strands fall across her face as she gives up fixing them. Audio: Natural location sound only—soft wind, distant neighborhood sounds, subtle clothing and hair movement. No music or added sound effects. Goal: Cute, spontaneous and intimate, like a tiny everyday moment accidentally captured on an old home video. Her irritation should feel natural and playful, ending in a genuine laugh toward the camera.”

“Create a 30-second ultra-realistic selfie video using the reference image for the woman’s identity. Keep her face, skin tone, hair, features, and overall appearance consistent throughout, with zero identity drift or facial distortion. Setting: Luxury mansion living room with marble columns, ornate white ceiling, crystal chandelier, soft grey walls, and an elegant grey sofa behind her. Keep the background and lighting consistent with no scene changes. Camera: Natural smartphone selfie camera, held close to her face with a slight 24–28mm wide-angle look. Subtle handheld micro-sway only. Soft natural indoor daylight, realistic skin texture, shallow depth of field, and documentary-style realism. 0–5s: She looks into the camera, smiles warmly, and says naturally: “Simbaaa... Simba, come here. I’m making a video for Instagram. They wanna see you... good boy.” 5–10s: A large, fully realistic adult male lion slowly walks out from behind the sofa and approaches her right shoulder. He moves calmly with realistic weight, paw placement, fur movement, breathing, and a gently swaying tail. She notices him, turns slightly, and laughs nervously while keeping the phone steady. 10–17s: The lion gently rubs his massive head against her cheek and neck like an affectionate giant house cat. He gives a soft low growl/snort. The contact between his fur and her skin should look physically realistic. 17–23s: The lion affectionately licks her cheek with a realistic tongue. She laughs genuinely and says: “Aww, good boy...” 23–30s: She continues smiling and laughing while the lion stays close, gently nuzzling her. She looks between him and the camera, enjoying the moment. End naturally on the close interaction. Realism: Photorealistic 4K/8K-quality appearance, detailed skin pores, fine facial hairs, realistic eyes and blinking, natural lip-sync, individual lion fur strands, whiskers, detailed eyes, moist nose, realistic tongue and saliva sheen, accurate body weight and contact physics. No cuts, scene changes, flickering, face morphing, identity drift, warped hands, extra limbs, unnatural movement, or camera movement. Keep the woman, lion, environment, lighting, and appearance consistent for the entire 30 seconds. The final video should feel like an authentic spontaneous Instagram selfie.”

“A young snowboarder drops into an alpine terrain park, carves smoothly down the slope, performs a controlled 180° jump and freestyle butter, then finishes with a clean stop. Ultra-realistic winter sports documentary, physically accurate snowboard physics, authentic human movement, natural English lip-sync, bright winter daylight, immersive mountain ambience, and seamless story continuity throughout.”

“Create a seamless 9-second surreal animation blending Tokyo with giant desserts: a massive silver fork plunges into a miniature Tokyo street and lifts a strawberry shortcake slice with whipped cream, strawberries, and red glaze; cut to street level where a giant chocolate slab sits in the pavement as thick caramel pours over it and pedestrians pass by; show a bustling skyscraper avenue decorated with strawberries and whipped-cream rooftops; finally, zoom out to reveal the entire city district sitting on a giant decorated cake on a white plate as a huge fork carves out and lifts a slice of the city-cake, seamlessly returning to the aerial Tokyo view.”

“Cinematic slow-motion food commercial of a gourmet cheeseburger being prepared. Extreme close-up of a hand lighting a gas stove with a match, blue flames igniting. A thick raw beef patty seasoned with black pepper and salt drops onto a hot black cast-iron grill pan, sizzling with sparks and smoke. Flames erupt around the patty as it sears. Melted cheddar cheese slice is placed on the juicy browned patty and starts melting. Fresh green lettuce leaves being pulled apart by hands. Floating red onion rings in the air against black background. Juicy red tomato slices stacked with water droplets flying. Thick red sauce being stirred with a wooden spoon. Sauce being spread on a soft burger bun with fingers. Onion rings placed on the sauced bun. Layers of lettuce, tomato slices, pickle slices, and red onion rings stacked. The cheesy beef patty is placed on top, sauce dripping. Final shot of the complete tall cheeseburger with sesame seed bun, melted cheese, dripping orange sauce, fresh veggies, steam rising dramatically, sesame seeds floating in the air, dark moody background, ultra realistic, high detail, mouthwatering, commercial food photography style, 8k.”

“Create a cinematic luxury sneaker commercial: begin with macro honeybees crawling over a glowing golden honeycomb, then zoom through a hexagonal cell as the honeycomb seamlessly transforms into the 3D lattice sole of a sleek all-black knit sneaker. Reveal the floating shoe with glowing orange honeycomb cushioning and “HIVE” branding on the heel, surrounded by golden particles. End with the sneaker striking a wet reflective floor, creating a dramatic water splash, subtle smoke, and high-contrast black-and-gold studio lighting.”

“Create a 15-second ultra-photorealistic cinematic medieval action sequence set around the year 1200. A fierce, physically strong female warrior rides a powerful dark warhorse through a chaotic medieval battlefield. She wears historically inspired 12th-century/early-13th-century battle clothing: layered dark leather armor, worn metal shoulder protection, practical leather gloves, rugged boots, and a weathered cloak. Her appearance, face, hairstyle, clothing, sword, horse, and body proportions remain perfectly consistent throughout the entire sequence. 0–3 sec: Start with a dramatic wide establishing shot of a vast medieval battlefield surrounded by misty mountains and dense forest. Muddy ground, wooden shields, abandoned weapons, banners moving violently in the wind, horses running through the background, smoke and dust filling the air. The female warrior rides rapidly toward the battlefield, gripping a realistic medieval sword. 3–6 sec: Cut to a dynamic low-angle tracking shot beside the horse as it gallops through the muddy terrain. The warrior raises her sword and confronts an opposing mounted fighter. Both horses move with realistic weight and momentum. Their swords collide with physically accurate movement, producing brief sparks from the metal impact. 6–9 sec: Close cinematic shot from behind the warrior as she turns her horse sharply and charges toward another opponent. Her cloak and hair react naturally to the wind and speed. She blocks an incoming sword strike, then performs a controlled counterattack while maintaining realistic horseback balance. 9–12 sec: Fast side-tracking shot as the horse jumps over a fallen wooden barricade. The warrior remains firmly seated and immediately continues forward, swinging her sword defensively while multiple riders pass through the smoky battlefield behind her. Mud, dust, horse breath, and small debris move naturally. 12–15 sec: The camera pulls into a powerful wide cinematic shot. The warrior rides alone across a muddy ridge overlooking the enormous battlefield, sword held firmly in her hand. Smoke rises in the distance, medieval banners wave in the wind, horses move through the fog, and warm sunlight breaks through dark clouds, creating an epic final frame. Visual style: extreme photorealism, authentic medieval atmosphere, realistic human anatomy, realistic horse anatomy and movement, physically accurate sword handling, natural facial expressions, detailed skin texture, individual hair strands, worn leather and metal textures, realistic mud and dust, natural lighting, volumetric fog, atmospheric depth, cinematic camera movement, realistic motion blur, subtle handheld camera feel, high-end historical film cinematography, HDR, 4K, natural color grading. Consistency: maintain identical female warrior identity, facial features, hairstyle, outfit, sword, horse, proportions, and environment continuity across every shot. Negative prompt: cartoon, anime, CGI look, plastic skin, fantasy armor, futuristic weapons, modern clothing, unrealistic horse movement, distorted anatomy, extra limbs, extra fingers, duplicated characters, warped sword, floating objects, face changes, identity changes, flickering, inconsistent clothing, excessive slow motion, unrealistic physics, oversaturated colors, artificial textures.”