Prompts Vidéo IA Tendance

“DV 16mm handheld tape camcorder POV by CHASE, who occasionally props the camera on a treadmill console or nearby bench. Natural hand shake, crooked framing, delayed autofocus, clumsy zooms, imperfect framing; camcorder never visible. Soft vintage tape quality with subtle noise, slight blur, muted colors, realistic skin tones, gentle bloom around gym lights, authentic early-2000s camcorder aesthetic. Tone: energetic but exhausted cardio challenge vlog with authentic reactions and playful humor. CHASE: Korean idol in her 20s with a long black ponytail, light post-workout sweat, expressive eyes, slim athletic build, wearing a modest long-sleeve athletic top, loose joggers, white sneakers, towel around her neck. Setting: modern indoor gym with treadmills, rowing machines, mirrors, and soft evening lighting. Shots: (1) Selfie before stepping onto the treadmill: “Let's see if I can survive twenty minutes.” (2) Camera on the treadmill console while she jogs naturally. (3) Handheld close-up breathing heavily: “Why does it feels faster every minute?” (4) Macro shot of her finger pressing the stop button. (5) Walking slowly off the treadmill, laughing while wiping sweat from her forehead. (6) Drinks water and takes a deep breath. (7) Gives the camera a tired thumbs-up: “Cardio officially defeated me today.” (8) Picks up her gym bag, smiles warmly, waves goodbye, and says, “See you next time!””

“BROADCAST TYPE: Live business news report covering a sudden stock market crash during trading hours. ON-AIR REPORTER: Female journalist, early 30s. Sharp blazer, earpiece, handheld mic with financial network logo. Composed but visibly tense. LIVE BROADCAST TIME: 11:20 AM. Bright daylight, glass-walled trading floor visible behind glass partition. REPORT LOCATION: Outside a stock exchange building. Digital ticker boards flashing red numbers. Traders visible through windows, gesturing anxiously. Passersby stopping to check phones. BROADCAST CAMERA: Steady tripod-mounted main shot with a secondary handheld cutaway camera. Occasional quick zoom to ticker board numbers dropping. Reflections of red digital numbers on glass. LIVE SEGMENTS: Opening: Reporter explains the sudden index drop and market panic. Update: Camera cuts to trading floor screens showing plunging graphs. Eyewitness Moment: A trader stepping outside briefly comments on the chaos. Situation Change: Ticker shows a fresh plunge, reporter reacts live to the number. Closing: Reporter signs off, noting market will be watched closely into afternoon. LIVE AUDIO: Muffled trading floor shouting, city traffic, notification pings from nearby phones, reporter's controlled voice, no music. BROADCAST REALISM: Genuine tension, traders ignoring camera, real-time number changes driving reactions, natural interruptions from passersby glancing at screens.”

“Create a 15-second animated video using these references: Video 1 = the new exact reference for choreography, movement timing, performance, spatial blocking, camera framing, camera movement, and pacing. Image 1 = the exact character-design reference for the man. Image 2 = a visual guide for the forest environment, lighting, atmosphere, materials, and overall mood. The location does not need to reproduce the exact image composition. MAIN GOAL: Recreate the complete dance and camera work from video1 as precisely as possible. Replace the live-action dancer with the animated man from image1 and place him inside an ancient cinematic forest clearing inspired by image2. This is a direct performance transfer. Treat video1 as the definitive motion-capture, blocking, and camera-tracking reference. The result must preserve: - the exact choreography - the exact sequence of gestures - the exact timing of every movement - the exact speed changes and pauses - the exact pose progression - the exact body orientation - the exact direction of travel - the exact arm, wrist, hand, head, torso, and leg movements - the exact high kicks - the exact turns and weight transfers - the exact camera orbiting and tracking - the exact framing progression - the exact 15-second duration Do not use the choreography from any previous dance reference. Use only the new video1. FORMAT: 15 seconds total. 16:9 cinematic frame. One continuous shot with no cuts, matching video1. CHARACTER DESIGN: Use the exact man from image1: - tall, lean, stylized adult man - long narrow face - prominent nose - large ears - short dark textured hair - heavy dark eyebrows - tired, serious eyes - grey beard and moustache - long dark charcoal overcoat with raised collar - worn muted shirt and trousers - rugged brown boots - handcrafted stop-motion puppet appearance Preserve his exact face, proportions, beard, hair, clothing, colors, materials, and silhouette throughout the entire video. Keep him fully on model with no design drift. VISUAL STYLE: Premium handcrafted stop-motion feature-film animation. The man should appear to be a real articulated puppet filmed on a highly detailed miniature forest set. Use: - tactile handmade materials - subtly imperfect sculpted skin - detailed fabric texture - realistic coat weight and thickness - visible but polished stop-motion character animation - cinematic lighting - atmospheric depth - grounded contact shadows - natural body weight - expressive but restrained acting - realistic environmental interaction The movement must be fluid, confident, sharp, and expressive while retaining a refined stop-motion character. Do not make it stiff, slow, robotic, rubbery, floaty, or overly smoothed. FOREST ENVIRONMENT: Create an ancient forest clearing inspired by image2. The location image is a guide”

“Cinematic 15-second video of a young woman with long blonde wavy hair transforming into a modern street-style Spider-Woman in New York City at golden hour. She sits cross-legged on a high-rise window ledge overlooking the Manhattan skyline, wearing a black bomber jacket, pink tights, grey sweater tied at her waist, white gloves, and teal sneakers, putting on large black over-ear headphones with a soft smile. She lies back with her teal sneakers against the glass. Close-up of her white-gloved hand shooting a thin white web. She swings acrobatically on the web through rainy NYC streets lined with brick buildings, fire escapes, and yellow taxis at dusk, leaping between walls, running and flipping through traffic, then landing on a rooftop. Final shot: she stands confidently on a water-tower rooftop against a dramatic orange sunset sky, arms outstretched in a powerful pose, city skyline behind her. Dynamic camera moves, smooth motion, realistic physics, cinematic lighting, high detail, photorealistic.”

“A cinematic 10-second realistic video of a terrified young woman with short blonde bob wavy hair and bangs, wearing a short magenta-pink dress and barefoot, desperately running barefoot through a dense, misty prehistoric jungle. A massive, photorealistic Tyrannosaurus rex with detailed scaly gray skin and open roaring jaws aggressively chases her from behind and to the side. Foggy tropical forest with tall palm trees, thick green foliage, ferns, and muddy dirt path. Dynamic camera movement: tracking shot following the woman as she runs, then over-the-shoulder of the T-Rex, close-up of her muddy bare feet splashing in wet mud, ending with an extreme close-up of her panicked, tearful screaming face. Atmospheric volumetric fog, cinematic lighting, high detail, dramatic motion blur, photorealistic style like Jurassic Park.”

“Immersive first-person flying camera perspective, no visible drone or flying device. The camera launches at insane speed into a vast abandoned amusement park at night, diving beneath a rusted entrance arch before accelerating down a deserted midway lined with flickering carnival lights and decaying attractions. Without slowing, it snap-rolls between the twisted supports of a colossal wooden roller coaster, knife-edges through broken loops, dives through the skeletal frame of a Ferris wheel, and skims just inches above abandoned bumper cars scattered across a flooded pavilion. Every movement is unpredictable,violent S-turns through narrow funhouse corridors lined with cracked mirrors, corkscrews around rusted spinning rides, split-S reversals beneath collapsing coaster tracks, wall-hugging passes inside a giant haunted mansion, rapid climbs through the center of a towering drop tower before plunging vertically back toward the ground. Thick fog drifts across the park as broken neon signs flicker, old carousel horses slowly rotate on their own, forgotten prizes hang motionless in abandoned game stalls, and wind sends colorful flags snapping through the darkness. The camera threads impossibly tight gaps through rusted machinery, flies inside the mouth of an enormous clown entrance, races through spinning tunnels of light and shadow, narrowly avoids collapsing ride structures, then bursts into a gigantic central plaza where the entire abandoned park stretches endlessly beneath the moonlight. At the climax, the camera rockets toward a colossal haunted castle rising above the park, dives through its shattered stained-glass windows, spirals around a vast cathedral-like interior filled with floating dust and moonbeams, then explodes out through the highest tower to reveal the entire eerie amusement park illuminated beneath a full moon. Continuous POV shot, no cuts, relentless acceleration, extreme high-speed FPV, aggressive banking, rapid altitude changes, barrel rolls, corkscrews, split-S maneuvers, power loops, knife-edge turns, realistic inertia, cinematic motion blur, volumetric fog, dynamic moonlight, atmospheric lighting, hyper-detailed abandoned environments, immersive haunted atmosphere, blockbuster cinematic VFX, IMAX quality”

“DRAMATIC ENGINE: Discovery SCENE TURN: The planet changes from a promising world into possible evidence of intelligent life. CUT LOGIC: No cuts. The shared frame preserves the quiet conversation and lets all three characters react together. 0.0–3.2 — Discovery Camera: Match the source image at eye level. Slow pull back from the asymmetric two-shot. Action: The woman lowers her gaze as a small blue planetary hologram becomes visible between them. WOMAN: “The survey found a blue world beyond the dead system.” 3.2–5.0 — Inspection Camera: Continuous from the same frontal position. The pull back decelerates to rest. Action: The bone-faced alien studies the slowly rotating planet. ALIEN: “Water?” 5.0–8.3 — Verification Camera: Continuous locked medium three-shot. Action: White cloud systems move over the holographic oceans. The woman watches the data rotating around it. WOMAN: “Oceans. Clouds. An oxygen atmosphere.” 8.3–10.8 — Implication Camera: Continuous. Subtle push toward the two speakers. Action: The alien looks away from the hologram and meets the woman’s eyes. ALIEN: “Any sign of life?” 10.8–15.0 — Revelation Camera: Continuous slow push. Action: The hologram rotates toward its night hemisphere. Tiny organized lights appear along one continent. The sentinel in the background subtly raises its head. WOMAN: “Lights on the night side.” Hold on all three silently examining the illuminated hemisphere.”

“A futuristic candy metropolis in hyper-saturated brightness, under giant-mech invasion. The city is built from candy: macaron-colored buildings frosted like piped cream, giant lollipop streetlights, a donut-shaped floating roundabout, gummy-textured neon signs, pink-teal-yellow neon interweaving everywhere. A mint-green-haired girl (character reference "CANDY-X": mint-green short hair with pink-yellow bun covers and star clips on both sides, yellow headphones, white-pink cropped jacket printed "CANDY-X", pink bandeau top and white shorts, pink belt with a jewel-orb buckle, asymmetric legwear — one pink mechanical thigh-high greave, one black sock — chunky pink-white-yellow mech sneakers, black fingerless gloves, a pink mech backpack carrying a teal cat-shaped robot pet, wielding a white-pink candy energy blaster with a lollipop-shaped energy sword at her hip) charges into battle. Her enemy: a colossal mechanical monster rampaging through the district — a multi-story dark-grey armored titan with magenta warning lights at its joints, smashing a cake-shaped tower into flying cream-colored chunks with one claw. [0-3s] Combat from the very first second: she opens the film already jet-sliding down a neon street on her thruster sneakers (pink light-flame jetting from the soles, drifting low like a skateboard), candy blaster up and firing — three rainbow energy bolts arc out and burst against the titan's arm in candy-colored star-shaped explosions, particles scattering like sugar sprinkles. The titan roars and swings its claw down — she jet-dashes sideways as the claw pulverizes a lollipop streetlight behind her, candy shards spinning. Camera opens on a low-angle lateral tracking of her slide, punches into a muzzle close-up at the shots, then whips wide as the claw slams down. [3-6s] High-speed skirmish: she weaves through collapsing candy buildings — riding a toppled chocolate-slab wall diagonally upward, leaping through the ring of the donut roundabout, flipping mid-air while her blaster never stops, bolts raining on the titan's joints. Its shoulder cannons answer, magenta lasers raking the street; she flickers left and right on jet-steps, explosions stitching the ground behind her. The teal mech-cat ejects from her backpack, orbiting her as a floating turret, firing teal micro-bolts in support. High-speed parkour tracking on her route, intercut with nimble close shots of the circling cat. [6-9s] Melee assault: reading a gap in the titan's attacks, she holsters the blaster and draws the lollipop energy sword — the blade spins open, candy-swirl patterns igniting a pink-yellow energy edge. Jet-dashing in close, she carves upward along the titan's leg armor, every slash bursting plates open in sprays of colored sugar-particle VFX; the titan sweeps its arm — she drops”

“CAMERA / LOOK: Handheld mini DV camcorder footage filmed by the subject herself. Slight hand shake, occasional focus hunting, imperfect framing, natural zoom adjustments, soft tape-like image quality, subtle grain, realistic auto-exposure shifts from soft early morning light. Natural skin tones, mild motion blur, authentic consumer camcorder aesthetic. STYLE: Cozy morning-routine vlog with gentle ASMR elements. Relaxed pacing, minimal dialogue, candid moments. Focus on satisfying sounds: mat unrolling, water bottle cap twisting, soft footsteps, fabric stretching, gentle exhales. SUBJECT: Young woman in her mid-20s, fitted tank top, leggings, hair in a high ponytail, minimal jewelry. Calm, centered energy before starting her day. SETTING: Small living room corner cleared for morning stretching. Soft early light through curtains, a yoga mat, small plant nearby, quiet atmosphere. STORYBOARD: → (2s, propped medium shot) Places camera on a shelf, unrolls the mat. "Morning stretch before the day starts." → (2s, overhead shot) Smooths the mat flat on the floor. Only unrolling sounds. → (2s, close-up) Sits down, takes a slow breath, eyes closed briefly. → (2s, handheld shot) Moves into a simple stretch, adjusts posture. "Just easing into it." → (2s, detail shot) Sips water between stretches. No dialogue. → (2s, medium shot) Moves through a gentle flow slowly. "Feels good to move a little." → (2s, macro shot) Bare feet pressing into the mat during a pose. → (2s, propped shot) Rolls shoulders, takes a final deep breath. → (2s, warm ending shot) Sits calmly, relaxed smile. "Ready to start the day now." → (1.5s, final shot) Reaches toward camera. "See you later." Hand covers lens as recording ends. AUDIO NOTES: Natural ambience mat unrolling, water bottle, soft breathing should be clearly audible. Dialogue quiet and casual. REALISM NOTES: Authentic body language, natural blinking, genuine calm expressions, occasional pauses to breathe, imperfect framing, focus breathing, soft morning light shifts. Should resemble a genuine personal wellness vlog on a consumer camcorder, not a commercial production.”

“A surreal apocalyptic cinematic sequence where reality folds in on itself: a colossal tsunami curls into a gigantic ocean vortex with skyscrapers embedded inside its walls, fires, explosions, and a tilting cargo ship caught in the chaos. The sky transforms into an upside-down floating metropolis while smoke, clouds, and glowing fires engulf the streets below. A mirrored city hangs above a modern skyline as black smoke, falling debris, and massive explosions connect both worlds. The camera races through a colossal portal-like vortex formed by curved bridges, swirling oceans, fractured land, and spinning skyscrapers, ending in a blazing fireball at the eye of the storm. Ultra-realistic, hyper-detailed, cinematic lighting, volumetric clouds, dynamic camera movement, epic scale, IMAX quality, 8K.”

“Ultra-realistic cinematic romance film, Hollywood-quality cinematography, fast-paced yet emotionally grounded editing, warm golden-hour lighting transitioning into blue hour, realistic facial expressions, natural chemistry, subtle handheld movement mixed with smooth gimbal shots, shallow depth of field, cinematic lens flares, vibrant city atmosphere, soft ambient crowd sounds, realistic physics, 4K HDR, rich colors, seamless transitions, premium Netflix romance aesthetic.”

“The cartoon characters charge into a chaotic fight. 12 different camera angles.”

“A stone dragon the size of a skyscraper breaking through clouds. Two figures standing on a cliff watching it rise. Volumetric fog wrapping around carved scales. Light cutting through the clouds behind its head.”

“Create a cinematic 3D CGI time-lapse animation of a modern two-story townhouse complex being built from an empty dirt lot into a fully completed residential neighborhood. Show foundations, concrete columns, steel frames, walls, roof panels, windows, balconies, glass elements, wood accents, exterior paint, fences, and gates assembling rapidly with smooth transitions. Include scaffolding, fast-moving construction workers, paved driveways, green landscaping, and trees appearing in the final stage. Use realistic lighting, sunny skies, dynamic camera movements, high-detail architectural visualization, and an upbeat, energetic atmosphere with seamless construction effects in ultra-realistic 4K quality.”

“Night party with shaky handheld camera.”

“Full magical transformation sequence: a firestorm demon hunter floating in a dark volcanic void as glowing embers rise from below and thick smoke coils around them in slow ceremonial waves — sparks attach to the body, igniting their hair into white with burning red tips, forging dark obsidian armor from heated metal, tracing molten protective markings across the face and hands, and forming twin curved blades from compressed flame. A circular lava-forged ritual seal opens beneath their feet with orange cracks spreading outward, the camera pushes through smoke layers in a slow heroic spiral, each ember burst synced to a rising drum hit, ending in a crossed-blade signature pose held inside a firestorm starburst. Stock-footage grandeur, played sincere.”

“Monochromatic black-and-white manga aesthetic, rough ink sketch animation, 2D anime style, high contrast, moody, cinematic, and atmospheric. ​Scene 1 (Setup): Close-up profile of a young anime girl with short dark hair smoking a cigarette. She wears a dark, oversized hoodie. She is standing on a bleak rooftop balcony. ​Scene 2 (Interaction): A young anime boy with a scuffed, bruised face and messy dark hair approaches her. He is wearing a two-toned hoodie. Close-up on their hands as he takes the cigarette from her. He speaks to her with a frustrated, intense expression. ​Scene 3 (Emotion): Close-up on the girl's face. She looks stoic, then sheds a single tear. As the boy leans in close to her face, she gives a faint, gentle smile. ​Scene 4 (Surreal Transformation): The girl suddenly dissolves into abstract black ink splatters and transforms into a silhouette of a swallow. The bird flies away off the rooftop, joining a flock of birds in the pale, overcast sky above brutalist apartment buildings.”

“@Image1's character as the subject — face identity from the close-up panel, burgundy ribbed polo knit and washed baggy jeans exactly as shown. She flies fast and low over a vast blue open ocean under bright midday sun, body streamlined forward, black layered hair and knit fabric streaming violently in the wind. 0–4s: Low-altitude drone chase from behind, camera skimming the water surface, her wake tearing a white spray line across the waves. 4–8s: Camera sweeps around her in a single wide orbit as she banks left, fingertips grazing the wave crests, spray beads flying off in slow motion. 8–12s: First-person-adjacent side tracking at full speed, ocean surface blurring beneath her, sunlight flaring off the water. 12-15s: She pulls up sharply into the sky; camera tilts up following her, wide shot of her silhouette against the sun over the endless blue horizon. Deep wind roar, rushing water spray SFX, soaring orchestral-electronic hybrid score. Photorealistic, crisp daylight, high shutter-speed clarity.”

“Stylized anime haunted tea ceremony beat: an elderly woman pours tea inside an abandoned tatami room, steam rising from the cup and slowly forming the shape of a long-lost guest. Dust floats in golden afternoon light, paper doors rattling gently though no wind enters the house. Slow push-in across the floor, tea reflections rippling with impossible memories, the woman’s calm face mirrored in the porcelain cup. The ghostly figure leans closer and the silence holds one beat past comfort.”

“- Super casual real smartphone home video footage, sunny beach day outing with friends, natural mobile phone camera with slight authentic handheld shake, normal frame rate with smooth natural motion, rapidfire montage with constant quick jump cuts every 1-2 seconds like scrolling through phone memories, unpolished authentic phone recording of mixed group laughing, playing in sand, snacking and clicking pictures, pure raw home video feel, no cinematic polish or heavy effects.”

“A cinematic, action-packed cooking scene in a professional kitchen featuring an intense animated male chef with a fierce expression. He slams a blazing hot wok onto a roaring gas flame, pours in oil that erupts into white smoke, and ignites dramatic fire as he tosses the wok. Rapid close-ups show expert knife skills slicing fresh bok choy, carrots, cucumbers, and red bell peppers before the vegetables are tossed high into the flaming wok and coated with a rich dark sauce. The glossy stir-fry is plated elegantly on a white dish, ending with a close-up of the chef tasting it with a focused, critical expression as flames flicker in the background. Ultra-realistic, cinematic lighting, dynamic camera angles, slow motion, high detail, 4K.”

“Ultra-realistic cinematic mirror selfie video of a beautiful young woman wearing a white hijab, a pastel lime cropped jacket, white wide-leg pants, white sneakers, and a beige shoulder bag. She walks confidently toward a full-length wooden mirror in a modern minimalist bedroom with warm neutral tones, a wooden bed, soft blankets, woven wall décor, indoor plants, and natural morning sunlight streaming through the window. She gently smiles while holding her smartphone, making subtle head movements and natural blinking. Smooth, stabilized camera motion, realistic body movement, soft fabric physics, shallow depth of field, luxury lifestyle aesthetic, warm color grading, 4K HDR, photorealistic, elegant, Instagram Reel/TikTok fashion content, 9:16 vertical.”

“berzerk evangelion forest robot monster ritual cinematic anamorphic camera grain”

“Style: 8K IMAX, traditional hand-drawn 2D animation, animated on twos at 12 frames per second — each drawing held for two frames then replaced, choppy stepped motion cadence, hand-painted oil-brush texture, brushstrokes shifting and redrawn from frame to frame, line jitter, no 3D render, no game engine, no CGI smoothness.”

“A cinematic, high-fashion close-up and medium shot of an elegant East Asian woman wearing a striking white and red abstract-patterned cloak with a high, ruffled collar, standing in a barren, desolate landscape under a dim, overcast sky. She interacts with a massive, ancient tree with dark, gnarled bark and deep crimson, leaf-covered branches. The ground is dry and cracked, and suddenly, thick, vein-like crimson roots or tendrils erupt from the earth, surrounding her and growing upward towards the sky in a dramatic, surreal sequence”

“A real outdoor village festival on a bright, clear afternoon. In the center of an open concrete courtyard, several tall transparent glass bottles are arranged upright in a carefully spaced path. A skilled adult female acrobat wears a teal traditional style performance jacket with subtle embroidered trim, fitted black trousers, white socks, and flat black cloth shoes with tiny red balancing pads beneath the soles. A large seated crowd watches closely behind her, with a simple red festival stage and old village buildings in the background. 0–4 seconds: Begin with a low angle wide shot close to ground level, emphasizing the height and fragility of the glass bottles. The performer stands balanced above two bottle tops, arms extended, focused expression, gently testing her footing. Sunlight creates natural reflections through the glass. 4–9 seconds: The camera smoothly tracks sideways as she carefully raises one knee, stretches her foot forward and transfers her weight onto the next bottle. Her shoe lands precisely on the tiny red support above the bottle mouth. The bottles wobble very slightly but remain upright and unbroken. The crowd leans forward with tense, believable reactions. 9–13 seconds: Seamlessly move into a closer low angle tracking shot focused on her feet. She performs two more controlled steps from bottle to bottle, maintaining realistic balance and natural body movement. Show accurate foot contact, subtle fabric movement, glass reflections and physically correct shadows. 13–15 seconds: She reaches the final two bottles and holds a confident balanced pose with one arm raised. The camera gently pulls back to reveal the entire bottle path as the crowd bursts into applause. Natural documentary cinematography, authentic human movement, realistic gravity and weight transfer, crisp daylight, mild handheld camera motion, detailed skin and clothing, genuine crowd ambience, shoes lightly tapping glass, soft gasps followed by applause. No fantasy effects, no impossible floating, no deformed feet, no duplicated limbs, no broken or melting bottles, no artificial slow motion blur, no captions, logos or watermark.”

“Style: 8K IMAX, hand-drawn frame-by-frame animation at 12 frames per second, every frame painted by hand, visible brushstrokes, oil-on-paper texture, stop-motion-like temporal stutter, frame-hold animation cadence, hand-drawn line jitter between frames, no smooth interpolation, no 3D render, no game engine, no game-cutscene aesthetic, no CGI smoothness. Cinematography: Emmanuel Lubezki × Roger Deakins. Lighting: single unified source, pale cold moonlight from above filtered through extremely thick atmospheric haze, contre-jour backlight on every subject, camera on shadow side, characters and environment lit by the same light, pale blue moonlight tinting skin, fabric, snow and trunks equally, cold rim light on shoulders and head cloths, faces in soft shadow. Atmosphere: extremely heavy blizzard and dense freezing fog throughout every shot — visibility roughly 3 meters, everything beyond dissolves into solid white-out haze, only the nearest trunks and figures readable, thick curtains of horizontal wind-driven snow blanketing the air, fog walls swallowing depth, snow accumulating fast on robes and head cloth, breath turning to vapor torn away by the wind, robes and hair whipped sideways by strong gusts. Character reaction to weather: every character squints hard against the wind, shields face with a hand or forearm, ducks head down, hides face into collar or head cloth, leans bodily into the wind. Emotional tone: a mother and her small child lost in a freezing storm, exhausted and terrified, the mother holding back panic for the child's sake, the child openly crying and afraid, both at the edge of their strength. Color: 60:30:10 dominant snow-blue / black trunks / cold accent. Camera: physical cine lens, 180° shutter motion blur. Physics: gravity and inertia respected, real weight, correct contact shadows on snow, no floating props. Composition: rule of thirds + golden ratio. Continuity: every character moving from frame one across every cut, identical character, props, environ”

“Neo-Tokyo, deep night. A white-haired twin-tailed rabbit-eared racer girl (character reference: pink-and-white mechanical rabbit helmet, white crop top with wide sleeves and pink mech armor plating, black shorts with black thigh-high leg wraps, pink-white mechanical skates with cyan neon plasma thrusters) speeds through a neon metropolis. She rides low, arms swept back, white ponytails and wide sleeves whipping in the wind, red eyes sharp and focused. [0-3s] Opening low-angle close-up: skate wheels spinning at high speed, cyan plasma flames jetting, neon-reflecting spray kicking up from wet asphalt. Camera tilts up her legs to full body as she races down a rain-slicked neon street — pink, purple, and cyan holographic billboards and Japanese neon signs streaking past in motion blur. Ground-hugging tracking shot, extreme sense of speed. [3-6s] She drops low into a drifting turn, sparks grinding from her skates — the district ahead transforms: the street fractures and lifts, folding into an elevated floating highway with rivers of glowing traffic streaming beside her. She leaps onto the guardrail, grinding along its edge on one skate, trailing intertwined pink-white and cyan energy streaks. High-speed lateral tracking, city lights flowing past. [6-9s] Skyscrapers around her fold and reassemble into colossal mechanical structures — towers flipping, interlocking, rotating, exposing glowing gears and energy cores. She kicks off a vertical wall, wall-rides several meters sideways, then drops into a data tunnel — walls of rushing cyan data streams and holographic code, light scanning rapidly across her white gear. Front-facing reverse tracking shot, whipping around to rear chase focus. [9-12s] Bursting out of the tunnel, environments unfold in sequence: giant factory mech-arms rising and falling on both sides, then a spiraling aerial racetrack — translucent glowing rails coiling around city megatowers. She climbs the track at full speed, body nearly parallel to the rail through corners, her energy trail carving long arcs across the night sky. Spiral orbiting crane shot revealing the ever-transforming city panorama below. [12-15s] She rockets toward the city's highest point at the track's end and launches into the air — slight slow-motion at takeoff: body extended mid-flight, silhouetted with her rabbit-eared helmet against a sea of neon and the pre-dawn skyline, one final pink-cyan light trail slicing the night behind her. Freeze frame at the apex of her leap, city lights glittering below like a sea of stars. Style: futuristic cyber-metropolis aesthetics; palette of neon pink, white, black, and cyan plasma (matching character colors). Character appearance stays consistent throughout: white twin ponytails, mechanical rabbit helmet, cropped wide-sleeve top, black shorts and leg wraps, pink-white mech skates. Speed is the core: motion blur, lig”

“creature, j-horror anime, presented in cinematic coverage with dynamic angles - 16 Shots - Japanese”

“SEGMENT 2 of 10 of one continuous music video — continues the morning block scene.”

“Cinematic 3D animation. A soccer ball bounces on a dry, cracked, desert-like stadium field. A professional skincare dropper squeezes a single drop of clear, glowing serum onto the parched earth. Where the drop lands, the dry ground instantly transforms into vibrant, lush, perfectly manicured green grass, spreading outward. The camera pans across the healthy, green stadium pitch. In the final scene, a bottle of 'POPSKIN' serum rises from the center of the grass with a blurred golden trophy in the background. Photorealistic, high detail, smooth transitions, professional lighting”

“Create a 19-second cinematic animation in the style of a traditional Chinese Shan Shui ink wash painting with vibrant digital watercolor. Begin with a fully colored mythical landscape of towering karst mountains, waterfalls, mist, a circular lake, and an ancient pagoda. A single black ink drop falls, expanding into a dramatic splash that covers the scene before receding to reveal a blank rice-paper canvas. The landscape redraws itself with flowing black ink brushstrokes, then vivid watercolor gradually fills the mountains, architecture, and blooming cherry blossom trees. The camera slowly pulls back to reveal the complete paradise with drifting clouds, cascading waterfalls, and a perfectly circular ring of water surrounding the pagoda, ending on a serene, majestic wide shot with smooth cinematic motion, painterly textures, and high-detail lighting.”

“A young woman in her twenties, same person as — long dark wavy hair in low pigtails, navy cardigan over white shirt, green-striped school tie, plaid skirt. A fluffy white long-haired cat, same as <<<image_2>>>, sits on top of an ornate pink dollhouse. <<<image_3>>> — environment reference: cluttered pink bedroom, soft morning light through sheer curtains. — identity anchor for the young man revealed at the end: messy light-brown hair, plain white t-shirt. [00-07s] Shot 1: Getting-ready montage, quick match cuts. She presses pastel lip color onto her lips, then fastens the knot of her green-striped tie, then slings a solid pastel-pink backpack with a clean plain surface over one shoulder. Handheld, subtle sway, warm morning light. [07-11s] Shot 2: She steps to the white cat sitting on an ornate pink dollhouse, cups its cheek with one hand and strokes it once and playfully touches its nose, then turns and hurries toward the door. Gentle push-in, shallow depth of field. [11-15s] Shot 3: The cat leaps onto the window sill between sheer curtains; through the glass she walks away from home in a moody japanese street,only her back seen. . The cat lifts one front paw and waves it gently. Static locked-off frame, subject centered Warm Japanese drama romance aesthetic, Shunji Iwai soft natural window light, warm pastel pink palette, lifted blacks, fine 35mm film grain, 50mm lens feel, soft background bokeh. Maintain face and clothing consistency. High detail. Natural smooth movements. 4K Ultra HD. Sharp clarity. Stable lighting. Consistent frame rate. Clean picture. Avoid blurry motion. Generate video without subtitles. SFX only.”

“A cozy Studio Ghibli-inspired animated cooking scene of handmade dumplings being prepared, folded, arranged in a bamboo steamer, steamed over a bubbling pot, and served with soy sauce. Warm wooden kitchen, soft natural lighting, gentle steam, detailed food close-ups, and a fluffy orange tabby cat calmly watching from a chair before relaxing sleepily in the background. Wholesome atmosphere, cinematic camera movements, highly detailed, comforting, magical realism, 4K.”

“Full magical transformation sequence: a gold storm paladin floating in a radiant charcoal-and-gold void as frozen bolts of golden lightning crack open the space around them ,each strike reveals a new transformed detail: hair flashing into warm platinum, shining armor plates appearing from gold electric fractures, glowing sun markings racing across the chest and arms, and a holy spear forged from a captured golden thunderbolt. A circular storm rune sigil burns beneath their feet with molten-gold and ivory arcs, the camera snap-zooms between close details and wide heroic angles as each lightning hit lands with the music, ending in a spear-planted signature pose locked inside a blazing gold electric starburst. Stock-footage grandeur, played sincere.”

“A translucent, bioluminescent red-and-yellow dragon enters the woman's body, illuminating her from within; the dragon flies through her body, lighting it up in red and leaving her body translucent wherever it passes. It emerges from her body and flies around her. The woman enters a trance; a photorealistic, cinematic scene.”

“Cinematic close-up of a young woman with short black hair wearing sleek, glowing futuristic glasses in a cyberpunk city. High-tech mechanical suit components rapidly assemble onto her body, starting from her chest and spreading outward. A purple and black powered exoskeleton helmet locks into place over her head, her eyes glowing red upon activation. Finally, the camera zooms out to reveal the fully armored character landing in a dynamic, heavy-impact pose on a rainy, neon-lit cyberpunk street with vibrant holographic signs in the background. Hyper-realistic, 8k resolution, action movie aesthetic, smooth transition, fluid mechanical animation”

“An astronaut in a full white suit walks alone through an abandoned amusement park at twilight. Rusted rides stand motionless, faded carnival lights flicker sporadically, and fog drifts low across cracked pavement. The helmet visor reflects broken roller coasters, carousel horses, and shredded flags fluttering in the wind. The camera follows from behind in a slow tracking shot, then cuts to low angles and haunting wide frames that emphasize the surreal contrast between the futuristic astronaut and the decaying park. As the astronaut passes the giant Ferris wheel, it suddenly creaks into motion on its own. Old speakers crackle with distant carnival music. The sequence feels eerie, dreamlike, and cinematic, like a science-fiction mystery with emotional loneliness at its core.”

“sisters, j-horror anime, presented in cinematic coverage with dynamic angles - 16 Shots - Japanese”

“Pixar-quality 3D animation, highly expressive characters, warm cinematic lighting, colorful suburban backyard with World Cup decorations, exaggerated squash-and-stretch, playful camera movement, vibrant colors, ultra-detailed textures, no dialogue, expressive reactions only.”

“Use the uploaded reference image as the exact character reference. Preserve her facial identity, hairstyle, eye color, makeup, skin tone, body proportions, white sleeveless fitted top, pearl choker, bracelets, rings, and outfit consistency throughout every shot. Replace the jeans with a stylish pleated grey mini skirt while keeping the same top and accessories. Maintain perfect facial consistency and realistic hand anatomy.”

“Raw vertical iPhone footage style, real mobile phone recording shot on iPhone 16 Pro, natural harsh daylight on Tatooine, bright sun, strong shadows, handheld with natural shake and micro movements, authentic phone camera look with slight lens characteristics, no cinematic emulation, no film grain, no photorealism, looks exactly like a real influencer video posted on Instagram, natural colors and lighting. [IMAGE REFERENCES] No reference images provided. Generate a fully consistent female influencer: 27 years old, warm olive skin with natural sun glow, long wavy chestnut hair in loose ponytail, expressive face, wearing casual beige outfit with subtle Tatooine-inspired cosplay details (light leather accents and small utility belt), approachable and energetic. [TIMELINE SECOND BY SECOND] 0-3s: [Handheld phone shot, natural shake] The influencer walks toward the entrance of the villa. Right in front of the door a BARC speeder is parked as decoration. She points at it excitedly and says: "Okay guys, look what’s parked at the entrance!" 3-6s: [Quick cut to courtyard, phone footage] She stands in the shaded courtyard with a small pool. In the background you can see old moisture vaporators. She gestures and says: "Private courtyard with real Tatooine vaporators in the back." 6-9s: [Quick cut inside living room] She walks into the living area. On the wall hangs a large stuffed Chewbacca as decoration. She points at it: "And they even have a stuffed Chewie in the living room!" 9-12s: [Quick cut to workshop] She enters the workshop. A customized BARC speeder is inside. She turns to camera smiling: "Workshop with its own BARC speeder. This place is crazy!" 12-15s: [Quick cut to terrace] She steps onto the terrace with the Dune Sea behind her under bright daylight. She smiles at the camera: "And the view from here... Would you stay in this villa?" [STYLE & QUALITY BOOSTERS] Real iPhone 16 Pro footage look, natural daylight and harsh shadows, authentic mobile camera movement and slight shake, natural colors, coherent physics, stable character, real phone video quality, no film look, no artifacts, looks like genuine Instagram Reel footage shot on location.”

“Use the uploaded reference image as the exact character reference. Preserve every facial detail, hairstyle, makeup, skin tone, facial proportions, expression style, and wardrobe consistently throughout the video.”

“Style: Ultra-realistic cinematic storytelling, seamless transitions, Hollywood-quality VFX, dramatic lighting, premium sci-fi aesthetic, smooth camera movement, photorealistic details.”

“Create a 15-second Hollywood blockbuster cinematic trailer in ultra-photorealistic IMAX quality. Dark fantasy, epic scale, Unreal Engine 5 realism, cinematic color grading, volumetric lighting, realistic physics, 8K detail.”

“15-second ultra-cinematic elemental transformation sequence in an endless desert during a colossal sandstorm at sunset.”

“Photo-realistic Full-body shot of a stylish and athletic young person in a cool crouching pose, do any cool poses like a professional model. wearing an oversized random color graphic t-shirt untucked, light blue denim shorts, white crew socks, and chunky best random color sneakers. Extreme low-angle worms-eye view captured with a wide-angle fisheye lens, making the modern fubsi glass skyscrapers in the background curve and converge toward the clear blue sky, white porcelain glass skin with luminous glow. urban streetwear aesthetic, realistic bright natural daylight, crisp reflections on building windows, cinematic street photography, 8k resolution, realistic skin texture, visible skin pores,”

“Create a premium commercial storyboard presentation for a product advertisement.”