Prompts Vidéo IA Tendance

“This depicts the battle between Saitama and Garou. With just a single punch from Saitama, a massive gust of wind erupted, shattering the ground beneath them. Garou, using his incredible speed and agility, parried the blow and launched a counterattack. As the two exchanged a flurry of punches and kicks, the sky and the earth shook with the deafening roar of their confrontation.”

“FORMAT: 15s / ONE CONTINUOUS SHOT / cinematic realism / no cuts, dread-heavy suspense, hostile storm sound design SCENE: A frozen battlefield lies buried inside a violent blizzard, visibility reduced to fragments of metal, cloth, and human remains under the snow. A wounded armored knight kneels alone with a sword planted into the ground, armor crusted with ice, body barely holding together against the cold. The viewer should feel immediate exposure, suffocation, and predatory tension, as if the storm itself is hiding a living threat. The entire clip must play as one uninterrupted stalking camera move. TIMELINE: 0:00-0:04 : SETUP. Low predatory tracking shot pushing through dense blowing snow, the lens repeatedly struck by hard ice particles that obscure and clear the image. The camera drifts past a half-buried shield smeared with a frozen dark stain, then reveals warped silhouettes beneath the drifts, a snapped spear jutting out at an unnatural angle, a helmet half-swallowed by packed snow, all framed with Fincher-like control and withheld information. SFX: aggressive wind roar, abrasive snow against metal, distant sub-bass storm rumble. 0:04-0:10 : ESCALATION. The camera turns right and lands on a kneeling armored knight using a grounded sword for support, motionless at first except for harsh breath venting into the cold. The cloak jerks violently in the gale, small ice pieces crack loose from the armor, and the camera creeps closer with almost invisible precision before circling behind, tightening the frame while refusing full relief. SFX: ragged breathing, armor groan, cloth snapping sharply, buried metal ticking in the cold. 0:10-0:15 : PAYOFF. Over the knight's shoulder, the storm briefly thins and a colossal shape moves through the white curtain with slow, impossible weight, never fully visible at once. The knight feels it, raises the head in dread, breath quickening, hand crushing the hilt before pulling the sword free in one hard motion that throws snow into the lens as the creature's outline looms clearer for an instant. SFX: deep crushing footfalls, sudden wind drop, sharp inhale, steel tearing free from frozen ground, snow bursting outward.”

“{"shot": { "composition": "close-ups, wide reveals, ending with full 360° orbit", "lens": "50mm", "frame_rate": "24fps", "camera_movement": "rotating reveal around the vehicle" }, "subject": { "description": "White high performance Lamborghini assembling from holographic internals to a sleek final form", "props": "engine, transmission, electronics, body panels, wheels, dashboard"}, "scene": { "location": "glossy, minimal stage", "time_of_day": "digital space", "environment": "high-gloss, clean product showcase with controlled lighting"}, "visual_details": { "action": "components snap together with light bursts; wheels align, dashboard lights up", "special_effects": "holograms, flares, digital UI, electrical effects"}, "cinematography": { "lighting": "high-contrast spotlights for texture and reflections", "color_palette": "cool tones, black & metallic with bright highlights", "tone": "futuristic, sleek, intense" }, "audio": { "music": "cinematic electronic with deep bass and synths", "ambient": "rich pads", "sound_effects": "clicks, whirs, growls, whooshes, UI beeps", "mix_level": "high clarity and punch"}, "dialogue": { "subtitles": false }}”

“A man in his early 30s, stubble beard, wearing a black armored motorcycle suit with reflective alpine stripes and a tinted racing visor, races a superbike along a narrow mountain highway carved into a cliffside in the Swiss Alps. Snow whips across the road as the camera tracks low beside the motorcycle tires gripping the frozen asphalt. At the 2-second mark a thunderous crack echoes across the mountain — an avalanche begins collapsing above the road. A massive wall of snow pours over the cliff behind him while chunks of ice crash onto the highway. The rider accelerates through a narrow tunnel opening just as the avalanche spills across the road. Exiting the tunnel he launches off a broken section of highway, the bike airborne above a deep alpine valley before landing on the next stretch of road. Alpine avalanche escape stunt, frozen cliffside highway, airborne motorcycle jump, cinematic snow debris chaos, 4K.”

“High-quality dynamic 3D animation of a high-speed magical forest journey. A group of riders in ornate fantasy costumes are mounted on glowing magical creatures, including a glowing spirit wolf, a shimmering crystal stag, a giant phantom owl, and a spirit leopard. They are racing through a stunning forest filled with giant glowing crystals. The scene features volumetric fog, dramatic lighting, and swirling trails of magical particles. Fast dynamic camera movements create a vibrant sense of forward motion. Seamless video transitions, a 15-second fast-paced rhythm, and a dynamic visual sequence.”

“Astronaut lying on a damaged space station deck. [cut] Close-up shot of the astronaut's face as they open their eyes inside a cracked helmet. [cut] Crew mates launching the escape pod, shouting, 'Airlock is breached, leave him!' [cut] Massive alien tendrils tearing through the exterior hull. [cut] Astronaut trying to push off the deck in zero-gravity.”

“A stunt driver in a bright orange rally suit races a muscle car across a suspension bridge during a violent storm. Lightning strikes a bridge tower and the roadway begins collapsing. At the 2-second mark the driver hits a broken ramp of twisted asphalt and launches the car into a rotating flip above the river. Camera from a passing helicopter tracks the car spinning in slow motion against the storm clouds. The vehicle lands sideways on the opposite span and slides through rain and sparks. Storm bridge destruction stunt, aerial car flip, cinematic rain lighting, 4K.”

“A woman in her late 20s wearing a flowing black combat coat threaded with glowing silver star patterns leaps across fragments of shattered asteroids drifting in deep space. Facing her is a tall alien warrior clad in crystalline armor emitting pulsating violet energy from within its translucent body. She attacks in a continuous chain — rapid teleport dashes, spinning blade arcs, and gravity-defying aerial strikes that send waves of cosmic energy rippling through the asteroid field. The alien warrior counters with massive gravity pulses that shatter nearby asteroids and fling debris outward like meteor storms. Camera orbits the duel in sweeping zero-gravity arcs, drifting through the debris field while alternating between intense close-up blade clashes and wide celestial views of the asteroid battlefield. Velocity ramps drive the spectacle — attacks accelerate into blinding flashes while key impacts freeze momentarily, showing fragments of rock and energy suspended in the void before motion resumes. Environment: a drifting asteroid field above a glowing nebula, distant planets visible through clouds of cosmic dust. Soft nebula light in blues and purples illuminates the scene while bright energy bursts from the combatants create dramatic diegetic flashes across floating debris. Hyper-realistic space lighting, cinematic rendering, volumetric nebula clouds, cinematic grain, 8K resolution.”

“First-person POV camera looking down at two hands in latex kitchen gloves pressing a soap dispenser at a bathroom sink, a completely ordinary domestic morning. The soap emerges. At the 2-second mark the foam expands beyond the palm still expanding, pushing both hands outward, filling the sink basin in four seconds, overflowing the counter in six. Camera pulls back as the foam volume doubles every two seconds: doorframe, hallway, staircase, the foam moving with the same even pressure in all directions simultaneously, furniture disappearing beneath the surface. The camera is riding the foam's leading edge, always just ahead of submersion. Outside window visible at the midpoint: the foam is exiting the house from every opening. Aerial pull-back reveals the entire neighborhood block going white. Warm bathroom light transitioning to overcast outdoor grey as scale expands. Foam-expansion velocity ramp, scale-shift reveal, deadpan domestic catastrophe, photorealistic soap physics, 4K.”

“A woman in her mid-30s wearing a heavy arctic survival suit races across the deck of a massive icebreaker ship cutting through frozen seas. Behind her a towering wall of collapsing glacier ice crashes into the ocean. At the 2-second mark she jumps onto a snowmobile and accelerates toward the bow ramp as the ship tilts from the impact. The snowmobile launches off the ramp and lands on a drifting iceberg. Camera drone captures the small vehicle racing across floating ice fragments while the glacier collapses behind. Arctic ocean chaos, snowmobile iceberg landing, collapsing glacier wall, icy debris explosions, cinematic realism, 4K.”

“0-2 seconds (Shot 1) - Visuals: The bridge shakes violently, steel cables snap with exploding sparks, a multi-car pile-up occurs, people scream and run in chaos. - Camera: Handheld shot, high-urgency close-up. - Audio: Sound of cables snapping + people screaming + car crashes. - Tao Ge: Running frantically through the traffic, looking back in terror. 2-5 seconds (Shot 2) - Visuals: A massive wave capsizes a cargo ship, sending shipping containers flying into the sky. - Camera: Low-angle shot + rapid zoom. - Audio: Roar of a tsunami + sound of metal piercing the air. 5-9 seconds (Shot 3) - Visuals: A shipping container hurtles toward the bridge at high speed! - Camera: 1.2x slow motion, oppressive perspective. - Dialogue (Tao Ge screaming): Get out of the way!! 9-11 seconds (Shot 4) - Visuals: Tao Ge performs an extreme sideways dive and roll. - Camera: Tracking the roll. - Audio: The container slams into the ground with a thunderous crash, debris flying everywhere. 11-12 seconds (Shot 5) - Visuals: Tao Ge lies on the ground and looks up; the bridge collapses further. - Camera: Close-up of terrified eyes. - Fade to black.”

“a city street during a red light; everyone is stopped and waiting. a young man is on a bicycle with a ragdoll cat perched on the back. beside him, a beautiful young woman is on another bicycle, carrying a basket full of dead fish on her rear rack. the camera angle is a pov shot from inside a car parked directly behind the two bicycles. the ragdoll cat reaches out a paw, attempting to snatch a fish. just as its paw extends, the car honks - beep, beep, beep! startled, the cat flinches and quickly retracts its paw. it turns to glare fiercely at the car behind it, lets out a sharp meow, and raises a paw to swipe angrily toward the camera. the scene is filled with the sound of fierce, disgruntled meowing.”

“WWI soldier sprinting across an open battlefield during a massive assault, muddy cratered ground, barbed wire, artillery explosions tearing through the field, dozens of soldiers charging across the landscape, chaos and debris everywhere, the soldier running straight through the battlefield while others fall or collide around him, massive explosions erupting nearby - SIDE PARALLEL TRACKING with the camera running alongside him as he pushes forward through the assault - CONTINUOUS TRACKING SHOT - SINGLE TAKE CINEMATIC FORMAT: 15s / 105 BPM / ONE CONTINUOUS SHOT / NO CUTS / EXPLOSION LIGHT FLASHES.”

“Stop-motion clay animation, handcrafted tactile materials, real fabric, warm afternoon park lighting. Wide shot: a clay figure with a matchbox head and a clay figure with a lit candle head sit together on a real tiny park bench, mid-conversation — candle flame flickering gently, matchbox drawer slightly open, easy and close. [cut] A distant rumble. Both heads turn. [cut] Close-up — a clay figure with a fire extinguisher head rolls in on a real tiny motorcycle, pressure gauge redlined, nozzle tilted back, one hand loose on the handlebar. He stops. Says nothing. [cut] Close-up of the candle head — the flame doubles in size instantly. The wax drips straight down. [cut] Wide shot — the candle stands up. Smooths her skirt. Gets on the back of the motorcycle without looking back. The motorcycle pulls away. [cut] Close-up of the matchbox head — alone on the bench. The little drawer slides open. Then slowly, all the matches fall out one by one onto the ground.”

“Stormy night ocean, massive waves under lightning flashes. The sea churns violently as a colossal feline titan rises from the depths, water cascading off its fur in slow motion. Low-angle cinematic shot, glowing eyes piercing rain and fog. Navy warships surround it, firing missiles and cannons, explosions lighting the clouds. The giant cat roars, shockwaves rippling across the water. It swipes a destroyer aside, metal bending, sparks flying. Its dorsal fur begins glowing electric blue, energy pulsing from tail to head. Close-up as bright blue light builds inside its mouth. The storm falls silent. Suddenly, a concentrated blue energy beam blasts forward, cutting across the fleet. Ships erupt in fireballs, steam rising as ocean water vaporizes. Wide aerial shot of destruction glowing blue across dark waves. Hyper-realistic, volumetric fog, cinematic lighting, IMAX scale, dramatic orchestral mood, 4K detail.”

“Hyperrealistic miniature diorama, stop-motion animation, handcrafted tactile materials — real fabric, clay, wire armatures, actual tiny props. A clay man sits at a miniature desk in a cozy office, a real tiny laptop open in front of him glowing with a familiar chat interface — white screen, alternating grey and white bubbles. His clay head is in cross-section — one half of his skull open like a hinged lid revealing a plump, healthy, pink clay brain filling the entire cavity. He types a question. [cut] The chat responds — a grey bubble appears. He smiles. In stop-motion the brain shrinks slightly, a tiny gap appearing between brain and skull. He doesn't notice. He types again. [cut] Rapid montage — each question fired off in quick stop-motion. With every sent message the brain shrinks one click smaller — plump to walnut to grape to pea. The empty skull space fills with real tiny cobwebs, a miniature tumbleweed rolls through, a small 'FOR RENT' sign pops up on a tiny stake inside his head. [cut] Close-up of the skull interior — the brain is now a single tiny pink crumb rattling around the bottom of an enormous empty cavity. A real tiny echo visual — the crumb bounces off the walls like a screensaver. [cut] Wide shot — the man leans back with a huge satisfied clay grin, arms behind his head, feet on the desk. The laptop screen shows hundreds of conversations in the sidebar. On the wall behind him, framed diplomas gather real dust. A real tiny spider has built a web between his ear and his shoulder. He looks completely content. The brain crumb settles in a corner and stops moving”

“Race sequence, presented in rapid cinematic coverage with dynamic angles and intense motion energy - QUICK CUTS - BEAT SYNC HARD EDIT FORMAT: 15s / 120 BPM / 12 SHOTS / HARD CUT.”

“If life is a journey, I want this to be the view.”

“Shredding through the seasons 🍂❄️”

“Show my support for all the beautiful Persian baddies that are about to get liberated. Get me at least three of their numbers.”

“a man counts out loud from 1 to 10, using his fingers and holding them up as he goes”

“Show what’s happening in Silicon Valley after the @Citrini7 article. Make no mistakes.”

“SCENE: FIRST-PERSON POV BATTLEFIELD - DUSK / OVERCAST Single Take (POV) ATMOSPHERE: Chaotic, claustrophobic, and intense. Mud, soot, and the metallic scent of damp iron fill the air, constricted by the narrow open slit of the knight's heavy helmet. The sheer size and unstoppable force of the giant ogre contrast sharply with the grounded human perspective trapped inside the heavy suit. SHOT DESCRIPTION: A relentless, unbroken first-person perspective shot from within the knight's helmet, framing the heavy physical interactions through a rigid metal visor slit (no glass). The camera simulates the heavy, jarring physics of a body taking a massive kinetic strike, being launched backward through the air, executing a rapid barrel roll through the mud to dodge an axe, and intercepting the ogre's momentum by bracing a broadsword against the ground. TIMELINE / SHOT-BY-SHOT: 0:00-0:03 - [First-Person POV / 24mm Wide Angle / Shaky Handheld]. Through the dark, scratched metal visor slit, a massive ogre lunges forward and throws a powerful punch directly into the knight's body, launching the subject. SFX: Loud metallic clatter, sudden high-pitched tinnitus ring starts. LIGHTING: Harsh, diffused gray dusk light over a muddy battlefield. 0:03-0:06 - [Sudden Aerial Tumbling / Hard Crash]. The kinetic impact launches the armored knight far backward through the air. The horizon spins and tumbles rapidly through the narrow visor slit in a disorienting, weightless arc before a heavy, sudden crash deep into the mud. A harsh, deafening tinnitus ring instantly masks all background noise. SFX: Piercing tinnitus ring, followed by the heavy, sloppy thud of armor hitting mud. 0:06-0:10 - [Low Angle POV / Rapid Sideways Roll]. The ogre quickly closes the distance, towering above and bringing down a massive rusted battle axe. The camera simulates a rapid full-body barrel roll across the muddy earth; the sky, mud, and ogre blur together in a dizzying horizontal spin as the colossal axe blade violently slams into the soft mud inches away, drastically shaking the camera on impact. SFX: Whoosh of heavy steel cutting air, booming earth-shattering thud. 0:10-0:15 - [Low Angle POV / Heavy Ground Anchor]. Enduring the roll, a mud-caked steel gauntlet frantically grabs a discarded broadsword from the muck. As the ogre charges forward again, the knight bracingly anchors the sword's hilt firmly into the ground, aiming the tip upwards. The roaring ogre's sheer downward momentum causes it to collide heavily against the anchored blade, stopping its charge in a tense, brutal clash of kinetic energy. The armored gauntlets shake intensely in the frame, struggling to hold the broadsword steady against the crushing weight of the giant creature pushing down. SFX: Heavy physical impact, deep bass roar as the ogre strains against the blade. TECHNICAL & RENDER: - Camera: Frantic, heavy first-person POV, simulating the weight of a human inside an iron suit, restricted field of view framing via helmet visor. - Light: Diffused, bleak overcast dusk, cool color temperature with harsh metallic reflections. - Lens: 24mm (simulating human eye field of view but distorted by the helmet enclosure). - Modifiers: Shot on 35mm film, photorealistic, cinematic atmospheric lighting, highly detailed, raw footage, motion picture, 8k resolution, volumetric rendering. MICRO DETAILS & TEXTURES: - Dents and thick mud caked firmly onto the heavy iron framing of the helmet's open visor slit, keeping the viewpoint completely unobstructed by any unnatural glass reflections. - The coarse, rugged, gray-green leathery skin of the giant ogre, matted with sweat and dirt. - Deep, jagged scratches and rusted indentations on the shaking steel gauntlets holding the broadsword. SOUND LAYERS: 0:00-0:04: Raging battlefield ambience suddenly cut off by a deafening metal impact. 0:04-0:10: Piercing, continuous tinnitus ring completely masking external sounds, panicked, labored breathing inside the helmet. 0:10-0:15: Heavy metallic clash, deep roar slowly cutting back through the fading tinnitus.”

“Punch the Monkey punches back. Make the girls proud.”

“Make a Pixar film about Punch. I want to cry and fall in love with him.”

“Trump arrives in Fortnite!”

“AI goes woke. Make it really offensive - like really offensive.”

“A gigantic armored mech emerges in the middle of a modern city, its thunderous footsteps shaking the streets and sending shockwaves through towering buildings. Dust and debris fill the air as terrified crowds run in panic, cars scatter, and chaos unfolds everywhere. The colossal machine moves like an unstoppable force, crushing everything in its path, creating a scene of pure cinematic destruction. Ultra-realistic visuals, dramatic atmosphere, intense scale, blockbuster movie style, epic action, 4K, high detail, realistic VFX, dark cinematic tone.”

“let's see paul allen's dx terminal agent”

“keep the central person completely motionless and frozen like a statue. Animate only the surrounding background and people with fast-paced movement and heavy motion blur, creating a dynamic time-lapse effect around the static subject. The camera must remain perfectly fixed.”

“A father. A daughter. A fight scene straight out of a video game.”

“A girl in traditional Chinese attire begins her emotional and passionate dance on the still, dark water. The camera moves in to capture her face full of emotion, then pulls back sharply to reveal the sweeping gestures of her long sleeves. The shots are filmed from various angles - from below to accentuate the power and grace of her movements, and from above, turning her dance into a mesmerizing pattern on the water. Each of her steps and turns is filled with passion. Golden sparks and cherry blossom petals swirl around her, and the water beneath her feet erupts in golden circles in time with her expressive movements.”

“change every frame in the entire scene to match the art style of the arcane animation, style transfer”

“A cinematic apocalyptic disaster scene in a modern city. Massive bridge collapsing into the river, huge explosions destroying skyscrapers, buildings shattering with debris flying, people running in panic through dust and chaos. A giant meteor falling from the sky causing a massive shockwave, tsunami waves flooding the city streets, dark stormy clouds, dramatic lighting, ultra realistic, cinematic camera movement, slow motion destruction, high detail, 4K, epic scale, intense atmosphere, movie-like quality similar to Hollywood disaster films.”

“Elon Musk as the Amazing Bulk on Joe Rogan’s podcast, advertising Perp Schmeg; ASMR”

“A multi-shot sequence starting from the provided wide shot. Initially, the camera is static; the man on the right slowly touches his hair and gazes upward, leaning his weight into the tree, while the woman on the left tucks her hair and watches him. Then, a sharp cut to a close-up of the man looking at the canopy before he dismissively turns his face away from the lens. A second cut returns to the wide shot as the woman begins walking toward him. The camera tracks her movement, tightening into a medium two-shot as she arrives. She places her hand on his shoulder. Finally, the man makes eye contact, his face breaking into tears with visible, heavy heaving of the chest. SFX: Rustling leaves, muffled footsteps on moss, and the sound of ragged, emotional breathing.”

“seinfeld episode about george's @DXRGai agent, make no mistakes”

“Movie trailer of Clavicular getting framemogged by the ASU frat leader”

“Jordan frame moggs Lebron”

“Claude The Animation by Anthropic Studios”

“Larry David gets in trouble for using Seedance 2 - make sure it’s retarded and gets 50 likes.”

“An average shift at Waffle House - make sure it's retarded and gets 50 likes.”

“Chinese company ByteDance released its latest AI model, “Seedance 2.0,” just 48 hours ago. Someone tested the new version by giving it a prompt to generate a fight scene between Brad Pitt and Tom Cruise, with their dialogue during the fight revolving around the Epstein files.”

“A cat spinning and signing oiiaoiia version of feel good inc on a floating island.”

“[Shot 1: Frontal Menacing Shot] A medium shot of a SWAT officer in full tactical gear, gas mask, and helmet. He is pointing his assault rifle directly at the camera lens (breaking the fourth wall). He is shouting with visible intensity: "LET THE HOSTAGE GO! DROP THE WEAPON NOW!" [Shot 2: The Threat] Cut to a medium shot of the killer in a dirty tank top, holding a woman in a chokehold. He has a pistol pressed to her head. He is sweating and manic, screaming at the off-screen officer: "STAY BACK! I'LL KILL HER! I SWEAR I'LL DO IT!" [Shot 3: Over-the-Shoulder Resolution] The camera is positioned directly behind the SWAT officer's right shoulder. We see the back of his helmet and his rifle in the foreground. In the distance (mid-ground), the killer is still visible holding the girl. The killer screams one last time: "I'M GONNA DO IT!" after The officer's rifle kicks back with a single sho and hit head enemy. The killer falls instantly. The girl is left standing, shocked but safe. Technical Style: High-shutter speed action, realistic muzzle flashes, handheld camera shake, 24fps, English dialogue.”

“just toss a bunch of bullshit on screen, show me like a big ship too, everything fucking blows up - make sure its insane and gets at least 50 likes”

“Luffy coding on a Macbook on the Thousand Sunny, RAGING, then throwing it overboard.”

“Mortal Kombat gameplay footage but the characters are famous world leaders”