热门 AI 视频提示词

“A lone warrior awakens ancient dragon magic under a blood moon. Sweeping drone shots racing through storm clouds, intense 360° orbits mid-leap, fire trails exploding, slow-motion landings that shake floating temples, glowing runes pulsing, and close-ups so intense you feel her power.”

“Speeder chase across a cliff city (single continuous shot) From a monumental cliffside city carved into stone, the camera dives toward a tiny streak of light ripping along a narrow ledge-road. Lock-on: a speeder hugging the wall at insane speed. The camera slingshots ahead, whips back, then drops tight to the rear thrusters: heat haze, grit snapping off the ledge, warning lights flashing. A collapsing balcony rains debris; the rider snaps a last-inch swerve under a falling arch, then threads through hanging laundry lines and open windows in one fluid line. The camera darts through the same openings, staying glued to the motion. One final bend and sudden calm: the camera blasts outward into a reveal of the city opening onto a boundless waterfall-fed valley, mist turning into rainbow.The rainbow mist lingers for half a second — serenity — then a SHADOW slices across it.”

“100% real-life filmed texture, iPhone documentary look, handheld single take, natural lighting, slight breathing shake, random focus shifts, subtle lens dirt on edges. Environment A busy McDonald's parking lot during lunch hour. Cars pulling in, people walking out with trays, fries smell in the air. Main Character A tired McDonald's employee (Image1) stepping outside for a break holding a tray with a Big Mac and fries. Sudden Event (Hook 0–3s) The ground cracks open. A giant greasy burger monster made of melted cheese, beef patties, and lettuce bursts out of the asphalt, towering over the restaurant. Cars screech. Customers scream. 13-Second One-Take 0–2s Chaos. The burger monster smashes a parked car. 2–3s Camera lands on the employee calmly holding the tray. 3–4s They slowly pick up a single fry. 4–6s Golden particles start glowing around the fry. 6–8s The fry multiplies into hundreds of glowing golden fries spinning around the employee like nanotech. 8–10s They snap their fingers. All fries launch like missiles at the monster. 10–12s The monster explodes into sesame seeds and lettuce. 12–13s Employee shrugs and takes a bite of the Big Mac. McDonald's logo appears.”

“A glowing asteroid enters the atmosphere above a sprawling metropolis at night.”

“Original Action Short Film: It opens with a futuristic city with almost real movie texture, gradually transitioning to a high-energy two-dimensional action style. Characters chase, leap and confront at high speed between neon viaducts and high-rise buildings. The lens language is stable at first and then explosive; the materials transition from real metal and wetland reflections to exaggerated energy lines and dynamic painting sense, forming a visual effect of integration of real movie sense and anime explosive sense.”

“15-second Original Desert Martial Arts Short Film: A black cat warrior in light armor stands alone in a desert where yellow sand is flying all over the sky, facing the pursuers. The shots combine slow motion and fast editing; under backlight, the yellow sand rolls like ink mist. The character's movements are elegant yet ferocious, with tattered but flowing robes. Holding a short weapon, he shuttles and counterattacks at high speed. The overall tone is cold, lonely and oppressive, with high-end colors and obvious shallow depth of field, just like a high-quality oriental martial arts movie.”

“Ink Monk vs Paper Dragon”

“Sunset parkour on São Paulo’s stacked rooftops. One teenage girl with zero fear sprinting, vaulting, flying between buildings 15 stories up as the city lights start to sparkle. Pure adrenaline.”

“High-quality anime style, 2D animation. Warm, cinematic lighting with sunlight filtering through blinds. A tiny man wearing a green hoodie and blue jeans runs across a wooden floor toward a giantess. He climbs up her massive foot and leg, which are covered in black fishnet stockings, using the fishnet holes to climb. Dynamic low-angle camera following his ascent, emphasizing the colossal scale of the giantess. He climbs past her black pleated skirt and white collared shirt, scaling up her dark blue ribbed sweater. The camera pans up to reveal the giantess looking down at him. She has long brown hair, a flower hair clip, and large brown eyes. She wears a highly surprised, wide-eyed expression with a slight blush. Background is a softly blurred bedroom with a music keyboard.”

“FPV drone camera chasing a pack of 2 racing cars speeding together on a super narrow curvy road in a ruined apocalyptic city. The cars are racing and chasing each other aggressively, drifting through sharp turns, overtaking, bumping slightly, and competing for position. The FPV camera flies low behind them, swinging left and right, diving and rising with the steep up-down road. Dust clouds explode from the tires. Broken buildings, flying surveillance drones emitting scanning waves, and rays of light cutting through dusty air. Minimalistic color palette, cinematic lighting, hyper-detailed environment, ultra-realistic, high-speed motion blur, intense chaotic racing energy.”

“Bullet time effect. A businessman in white shirt and black tie slipping and falling backwards on an icy wet street in Wall Street, New York. Coffee cup standing on ground, liquid exploding outward frozen in mid-air. Ice chunks, water droplets, and coffee splash all completely suspended time is frozen. Tall buildings on both sides creating a canyon effect. The camera smoothly orbits 360 degrees around the falling man at low ground level angle, only the camera moves while everything else remains perfectly still. Cinematic, overcast dramatic lighting, wide angle lens distortion.”

“A tiny chibi anime girl with a short black bob haircut, straight bangs, and a small metallic hair clip, wearing a soft plush penguin hoodie with a yellow beak on top, black outer texture, white belly patch, wing-style sleeves, and tiny yellow penguin feet”

“Ultra cinematic high-speed chase sequence, a powerful motorcycle racing at extreme speed along a rugged open terrain road, a military-style helicopter above tracking and engaging, constant tension and near-miss danger - Ultra low tracking shot behind motorcycle, wheels spinning violently, dust and debris flying, helicopter shadow sweeping across ground - Helicopter engages from above, bright impact bursts hitting ground around the bike, rider weaving aggressively at high speed, near misses - Side tracking shot, motorcycle swerving between obstacles, rapid directional changes, camera staying perfectly locked with fluid motion - Massive stunt moment, motorcycle hits a natural ramp or terrain bump, launches into the air, slow motion peak, helicopter visible in background, debris suspended - Landing at full speed, immediate acceleration, camera swings around to front tracking shot as rider pushes forward escaping incoming impacts Wide rugged environment, open terrain or canyon road, dust clouds, strong daylight, large scale environment enhancing speed and danger ultra realistic, hollywood blockbuster chase, extreme sense of speed, physically grounded motion, cinematic slow motion accents, intense dynamic camera movement, high contrast natural lighting, fluid transitions, no distortion, no stretching”

“Shot on ALEXA 65mm anamorphic lens. Photorealistic cinematic quality. Aspect ratio 2.39:1 widescreen. Teal shadows, warm amber highlights. Film grain. Rain-soaked New York street at night. Neon signs, streetlights reflecting on wet asphalt. Steam rising from manholes. Lens flares, motion blur. Dolby Vision HDR.”

“Continuous character journey, moving from gritty Y2K streetwear on a dark rooftop to a stylized, high-tech "tech-ninja" aesthetic inside a pristine white iOS interface dimension. Fast-paced, fluid, and highly interactive with the camera.”

“Ultra-cinematic Unreal Engine video, ray tracing, rainy small-town street at night, grey-blue tone, 35mm, 4:3. Medium-close western woman, wet light-brown hair, dark coat, cold expression. Camera tilts up as rain splashes. She steps → blue shockwave spreads, color drains, rain freezes mid-air, blue aura forms.”

“Hyper-realistic cinematic 3D video, Unreal Engine quality, ray tracing, 24fps, smooth camera movement, shallow depth of field, volumetric fog, golden-hour + soft neon glow. Story: A lone red exploration robot enters an abandoned overgrown bio-luminescent garden searching for a faint energy signal. 0–2s: Wide shot, robot enters gate, slow push-in. 2–4s: Close-up, sensors flicker, signal detected deeper inside. 4–6s: Action cut, fast movement through glowing plants, foliage reacts. 6–8s: Reveal shot, glowing flower appears in center clearing. 8–10s: Close orbit, robot reaches out, flower lights up entire garden. Emotional tone: discovery, wonder, cinematic realism. No text, no watermark.”

“Cinematic multi-shot sequence: A warrior in ornate ancient armor pilots a massive mechanical phoenix-bird with glowing brass gears and flapping articulated wings. Shot 1: Wide establishing aerial over misty ancient ruins at dawn. Cut to close-up on intricate wing mechanisms clicking and steam hissing. Cut to dynamic tracking shot as it launches into the sky, feathers of metal catching golden light. Epic low-angle hero shot soaring above clouds, camera orbiting the pilot with intense motion. Hyper-detailed mechanical details, cinematic lighting, 8k, smooth 60fps motion. Extend Video1 by 15 seconds. Seamless continuation of the exact same warrior in ornate ancient armor and his massive mechanical phoenix-bird with glowing brass gears and flapping articulated wings. 0-5s: The phoenix-bird performs epic aerial maneuvers with powerful wing flaps, graceful barrel rolls, and a majestic dive through golden sunlight, dynamic tracking and orbiting camera following the intense motion.5-10s: The bird banks sharply and begins a smooth descent toward a lush ancient temple courtyard with blooming flowers and stone pillars at sunrise. Medium and low-angle shots showing the warrior confidently controlling the descent.10-15s: Dramatic landing with wings folding elegantly, steam hissing and gears slowing. The warrior dismounts, walks toward a beautiful woman in elegant flowing ancient robes. They reunite emotionally — she smiles, he embraces her gently, and they share a passionate kiss. The phoenix-bird stands majestically in the background. Maintain perfect visual consistency in character faces, armor, bird design, and cinematic golden lighting with god rays. Hyper-detailed mechanics and fabrics, 8k, smooth 60fps, heroic and romantic atmosphere.”

“Ultra-cute pastel cloud animation, soft rounded chibi style, bright sky tones, smooth bouncy physics, cinematic motion. 0–4s: Cloud floats → wakes with cute expression. 4–8s: Spins and zooms playfully, leaving puff trails. 8–12s: Interacts with sun/birds, energetic movement. 12–15s: Hero center frame, happy bounce, sparkle. Soft daylight, smooth camera, wholesome vibe, no flicker, high quality.”

“A giant glacier wall collapses into a fjord beside a coastal city. The falling ice triggers a massive water displacement wave that surges toward the harbor. Camera sweeps over the collapsing glacier before racing toward the city as the water wall crashes into buildings and docks. Icebergs smash through streets as the city floods. Glacier collapse megaflood, iceberg destruction chaos, cinematic polar disaster scale, 4K.”

“Show me what happens in between. USE MULTIPLE CAMERA ANGLES”

“Pixar 3D animated [kitchen / food setting]. [Lighting description]. CHARACTERS: [describe main chef/character(s) with exaggerated Pixar traits] SEQUENCE: 0-3s — [first action, e.g. dramatic chopping or ingredient reveal] 3-6s — [next step…] … CAMERA: [specific shots, slow-mo, pans, etc.] SOUND: [whooshes, sizzles, clinks, character sounds, music mood]”

“Handheld shoulder-mounted camera, natural shake, slight autofocus breathing, no stabilization. Opening frame: a quiet residential street in late afternoon, soft golden sunlight, long shadows across parked cars. Ambient sound: distant traffic, wind, faint birds. The camera slowly walks forward along the sidewalk. At the 2-second mark, a black SUV suddenly enters frame at high speed from the left — tires screeching, suspension compressing unevenly as it loses control. The vehicle clips a parked red sedan — the impact is abrupt and messy, metal folding naturally, glass shattering outward in uneven fragments. No slow motion — everything happens in real time. The red car is pushed violently onto the curb, its front end crumpling with realistic deformation. Airbags deploy with a muffled pop. The camera operator instinctively steps back — slight stumble, frame dips, then recovers. Smoke begins to rise from the SUV’s engine bay. Sound design: raw — crunch of metal, tire friction, glass, no cinematic exaggeration. Final frame: both cars at rest, subtle ticking sounds, no dramatic music. Style: documentary realism, imperfect framing, natural lighting, no visual effects, 4K.”

“[0.0–2.0s | Scene: a dark, symmetrical spaceship corridor with metallic walls, a reflective floor, and cool white light strips | Action: a woman in sleek white high-tech armor walks forward with calm determination | Camera: low-angle shot slowly pushing in | VFX/Lighting: soft volumetric fog, cool reflections, deep shadows contrasting with her bright armor | Dramatic Purpose: establish the protagonist, her presence, and a tense futuristic setting];”

“A female astronaut in a white EVA suit sprints across the outer ring of a damaged orbital station above Earth. The station slowly rotates while massive solar panels break apart and drift into space. At the 2-second mark she jumps from the rotating ring toward a drifting cargo module. Camera floats beside her as Earth spins in the background. She grabs a handle, swings through the airlock hatch, and seals the door just as debris slams into the station behind her. Orbital debris field, zero-gravity leap, rotating space station exterior run, cinematic space lighting, 4K.”

“[@ Image 1] fires a Kamehameha at the chest; [@ Image 3] tanks the hit with a qi-shield and counters with a full-force palm strike, knocking [@ Image 1] off the ring.”

“Show me who lives inside this {building} and what they do inside.”

“SUBJECT: An 80-year-old Black grandmother with short silver natural hair, wearing a royal purple and gold Adidas tracksuit, fresh white high-top sneakers, gold hoop earrings, and a small gold chain. Petite but wiry. Surprisingly explosive power in her movements. She breakdances with old-school technique and impossible energy. ENVIRONMENT: Empty NYC subway platform at night. Graffiti-covered pillars, flickering fluorescents, polished tile floor reflecting the lights, a boombox on a bench playing music, a chalk circle on the platform. Gritty 1980s hip-hop energy. MOOD: Pure joy and defiance. Age is irrelevant. The groove is eternal. TIMELINE: 0:00–0:02: Wide shot of the empty platform. The boombox plays. Camera slowly pushes forward. She walks into frame from the tunnel end, adjusting her gold chain, sneakers squeaking on tile. She stops at the chalk circle. Looks at it. Looks at the boombox. Cracks her neck left, then right. Steps in. 0:02–0:04: Medium shot at floor level. She starts with a toprock, feet shuffling in a classic pattern. Her sneakers are precise. Her shoulders pop on every beat. The tracksuit catches the fluorescent light, purple and gold flashing. She's warming up but already better than anyone watching expects. 0:04–0:07: Camera orbits her. She drops into a six-step floor sequence, hands on the tile, legs sweeping in clean circles, her small body low and controlled. She transitions into a freeze, one hand supporting her entire body, legs extended in an L-shape, her gold hoops dangling, perfectly still for two beats. Then she collapses the freeze into a backspin. 0:07–0:10: Close-up tracking her spin. She backspins on the tile, her silver hair catching every light, tracksuit a blur of purple. The spin accelerates. She transitions to a headspin, the veins in her forearms visible, jaw clenched with effort. She spins for four full rotations, sneakers kicking the air. The graffiti on the pillars streaks behind her. 0:10–0:12: She pops out of the spin to her feet in one motion. Stands. Hits a body wave that rolls from her ankles through her spine to her fingertips. Then a second wave, harder. Then she locks into a series of sharp pops and hits, each one freezing her entire body in a different pose, like a human strobe light. Each pop syncs to the beat from the boombox. 0:12–0:15: Wide shot. She finishes with one massive freeze: a one-armed handstand, free arm pointing at the camera, legs split. Holds it. Three seconds. Then she drops, lands on her feet, adjusts her tracksuit collar, and walks away from the circle. She picks up a purse from the bench, puts in her earbuds, and walks toward the exit without looking back. The boombox keeps playing. The chalk circle sits empty. Hold. NYC subway, graffiti, breakdancing grandmother, 1980s energy, fluorescent light, photorealistic, cinematic, 4K.”

“A massive wall of ocean water rises and freezes mid-collapse above a coastal highway. Vehicles and debris are trapped inside the suspended liquid mass. The camera starts below the frozen wave, tilting upward to reveal its impossible scale. It then glides directly into the water mass, transitioning into a submerged perspective inside the suspended droplets before the wave crashes down in full speed”

“the camera moves from wet stone, through the fire of a wok, up to the rooftops, and back down. all in one continuous take.”

“A future where the most basic human things become extremely valuable.”

“Cinematic 3D CGI cutscene from Arknights: Endfield, highly detailed semi-realistic rendering, futuristic high-end shopping mall interior with polished reflective floors, glass storefronts and soft ambient blue lighting. In the foreground inside a transparent glass display case, a cute small black penguin character (Endmin / Gugu Gaga) with smooth rounded dome head and body, viewed from behind in POV shot. Two tactical sci-fi characters approaching confidently in midground: one male in heavy black and gold glowing exosuit armor with helmet, one female in green camo military tactical gear with helmet. Dramatic depth of field, glass reflections and specular highlights, cool metallic color palette with gold accents and teal grading, rule of thirds composition, immersive enclosed framing. ‘Adopt a penguin’ meme vibe, playful and hype mood, ultra-detailed textures, cinematic lighting, 8k quality --ar 9:16 --stylize 250 --v 6”

“A fearless young woman roller skating at high speed through a crowded street in New York City, weaving effortlessly through pedestrians, dodging street vendors, taxis, and cyclists. She glides past towering skyscrapers, busy intersections, and iconic storefronts, jumping over small obstacles with precision and style. Cinematic tracking shots follow her movement, enhanced by dynamic motion blur and warm golden hour light reflecting off glass buildings and asphalt. The city pulses with an energetic urban vibe—honking cars, flashing signals, and nonstop motion. Ultra-realistic detail with an action-movie aesthetic, capturing speed, confidence, and fearless momentum through the heart of New York.”

“A cinematic masterpiece of a high-speed female swordmaster in a vast, sun-drenched desert. She moves with supersonic speed like Superman, weaving through enemies. Multiple afterimages and motion blurs follow her swift path, creating a trail of phantom illusions. Character Details: She wears ornate, flowing silk battle robes adorned with golden filigree and crimson embroidery, fluttering violently against the wind. Her blade glows with a faint ethereal light. Visual Effects: Swirling sand vortices, sparks from clashing steel, hyper-realistic dust particles, and intense heat haze. The action is captured in shutter-speed photography style, showing her in the middle of a lightning-fast strike. High contrast, 8k resolution, volumetric lighting, epic scale.”

“A humorous Pixar-style animated short featuring two anthropomorphic toothbrushes debating in a bright modern bathroom: grumpy old manual toothbrush with worn bristles, tiny arms, and expressive face vs. sleek confident electric toothbrush with glowing LED eyes, vibrating body, and influencer attitude. Multi-shot sequence: medium shot of manual toothbrush shaking angrily on the counter, close-up push-in on electric toothbrush proudly vibrating with flashing lights, over-the-shoulder shot during argument, chaotic wide shot as toothpaste flies everywhere, ending in sink with both looking defeated but friendly. Manual toothbrush complains: "Back in my day we scrubbed with elbow grease! You just sit there buzzing like a lazy phone on vibrate!" Electric replies: "Bro, I clean 40,000 times per minute while you’re doing cardio. I’m basically a gym membership for teeth!" Twist: both get dropped in the sink, manual says "Truce?", electric buzzes weakly "Fine… but I still win on TikTok." Vibrant colors, bouncy physics, exaggerated facial expressions, cartoon sound effects including angry shakes, buzzing vibrations, toothpaste splats, and dramatic whooshes. Dynamic camera: quick cuts, zooms, and playful pans. Soft morning lighting with shiny reflections on tiles. High quality, smooth animation, 15-second duration, funny and relatable tech vs old-school vibe.”

“A tall man in his late 20s with short dark hair and glowing amber eyes, wearing a radiant armor suit of reflective gold plates with molten seams emitting solar energy — opening frame is a medium close-up of him suspended high in the upper atmosphere, clouds far below, sunlight refracting across his armor.”

“A peaceful anime-inspired lofi train ride at sunset, warm hand-painted fantasy style, a quiet girl by the window wearing headphones, golden sky, distant mountains, passing trees, soft sunlight on her face, notebook in her lap, dreamy nostalgic atmosphere, calm travel mood, soft”

“First-person POV from a jet ski rider in the middle of a violent tropical storm. Hands grip the handlebars while massive waves tower on both sides. Rain and ocean spray slam across the visor. At the 2-second mark a gigantic rogue wave rises ahead like a moving wall. The rider accelerates up the wave face and launches off the crest, airborne above the stormy ocean. The jet ski slams down into the trough and continues racing through the chaos. Storm ocean POV ride, rogue wave launch, cinematic water physics, 4K.”

“A super-fast FPV shot on the back of a butterfly, taken from the point of view of a butterfly flying over a chaotic picnic in a public park. The camera flies over red-checked blankets, dodges between soda cans, plastic cups, fingers grabbing chips, and splashes of ketchup. The camera dips into a slice of watermelon. juice splashes in slow motion. He walks through a tunnel of paper plates, skirting a laughing child as he takes a bite. The camera slides over the dog's snapping jaws, flits between bubbles floating in the sun, and eventually sinks into a Coca-Cola can with a hiss. An absolute sense of scale, sweetness, noise, chaos, pure butterfly adrenaline.”

“POV: You’re a NYC pigeon with main character energy. Helmet on. Drone stolen. Seagull destroyed. Top Gun but make it pigeon.”

“A space ship flies through the atmosphere of a planet, the scene slows down as it explodes into an exploded view in slow motion, the camera rotates and orbits the expldoed view, the space ship then returns to its original shape and flies off.”

“This hyper-realistic urban disaster special effects film, shot with an Arri Alexa 65 camera, utilizes high-contrast lighting to create a raw, textured atmosphere, three-dimensional smoke, and a chaotic, apocalyptic rhythm. S1: A low-angle wide-angle tracking shot, filmed from a crowded street upwards, shows a gigantic, scaly snake tightly coiled around the Taipei 101 glass skyscraper, shattering its windows. S2: A close-up slides along the snake's thick scales, which rub against the building's steel structure, sparking and scattering debris. S3: A high-angle drone shot circles the top of the building, showing the snake roaring into the sky while a military helicopter fires missiles at its flanks. S4: A wide-angle shot shows a violent, multi-level explosion in the middle of the skyscraper, the snake engulfed in flames and thick black smoke.”

“Ultra-realistic, cinematic FPV flying through ancient London, racing over the Thames River and medieval bridges, diving through fortified city gates, weaving past timber-framed houses, Gothic cathedrals, bustling marketplaces, horse-drawn carriages, and royal courtyards, then spiraling above towering stone castles and fortified walls. Fast-paced, golden-hour lighting, rich textures, mist in the air, epic scale, 4K aesthetic”

“Dynamic tracking FPV shot racing behind a motocross rider blasting through a crumbling abandoned city street, the camera aggressively tracking along the bike’s side as debris flies everywhere, the rider launching up a collapsed ramp onto a rooftop — blasting across broken buildings — ending in a cinematic stop as the bike jumps between rooftops with the skyline burning behind.”

“15-second impossible siege shot. The camera races toward a massive wooden siege tower as it rolls across the battlefield under flaming impacts. It climbs vertically along the outside as the structure begins to collapse, then slips through a shattered side panel into the tower interior, passing ladders, panicked soldiers, splintering beams, and falling ropes. It bursts out the top platform just as the tower tips over, dives off the collapsing edge, and re-enters the battlefield in a low flying arc over the heads of charging infantry. Continuous camera motion through solid structure and open battle space, impossible rigging, splinters, fire, dust, and giant war scale.”

“Prompt 1: Dynamic movement, a smart phone drops from the sky and falls onto the city street, shattering into individual pieces, each part shown specifically in slow motion, camera orbits it. Prompt 2: Continue this video, the phone reforms back into the smart phone and lands onto the ground.”

“15-second comedic animated short in the world and visual tone of Zootopia. High-quality stylized 3D animation, expressive facial acting, clean readable slapstick, bright police-station interior, polished reflective floor, warm indoor daylight. Visual comedy only, little or no dialogue.”

“Environment: A surreal ocean in the sky where enormous waves float between cloud layers. Waterfalls spill endlessly downward into the clouds below while golden sunset light illuminates the horizon. Action: 15.0s sequence. A colossal sky-whale made of shimmering water currents glides through the floating ocean waves. Rising from the clouds below, a massive kraken formed from swirling storm clouds and lightning tendrils attacks. They collide as the kraken’s tentacles wrap around the whale while both creatures crash through floating waves. Velocity Ramp choreography: the whale’s massive tail strike slows to reveal suspended droplets and lightning arcs before detonating outward as the motion resumes. Camera: Wide aerial tracking shot flying alongside the whale before diving beneath the floating ocean surface as the creatures crash through the water. Style & Constraints: Photorealistic water physics, volumetric cloud lighting, ray-traced reflections on wave surfaces, cinematic sunset atmosphere, 8K resolution.”